{"id":8454,"date":"2021-06-01T17:48:21","date_gmt":"2021-06-01T17:48:21","guid":{"rendered":"https:\/\/cinemigrante.com\/?p=8454"},"modified":"2022-03-25T20:39:43","modified_gmt":"2022-03-25T23:39:43","slug":"rastros-y-repertorios-de-lo-sensible-correspondencias-e-intercambios-para-habitar-una-pandemia","status":"publish","type":"post","link":"https:\/\/cinemigrante.org\/muestras-itinerantes\/rastros-y-repertorios-de-lo-sensible-correspondencias-e-intercambios-para-habitar-una-pandemia\/8454\/","title":{"rendered":"‘Rastros y Repertorios de lo sensible’ Correspondencias e intercambios para habitar una pandemia"},"content":{"rendered":"

Rastros y repertorios de lo sensible<\/em><\/strong> es un ciclo de 6 encuentros<\/strong> basados en correspondencias e intercambios<\/strong> entre artistas, videoactivistas, director_s de cine y profesor_s e investigador_s\u00a0en ciencias sociales de la Escuela IDAES-UNSAM y otros espacios acad\u00e9micos, quienes comparten un registro de lo com\u00fan en sus interrogantes, sus b\u00fasquedas y sus investigaciones.
\nUna correspondencia que contiene una pel\u00edcula, un libro, un texto, un registro, una foto, modo por donde comienza el intercambio. Un di\u00e1logo de encuentro que ubica los repertorios de lo sensible, los rastros, de aquello que no necesariamente conforma archivo, en la topograf\u00eda de los saberes situados. Escrituras, lenguajes, investigaciones, peque\u00f1as historias de un devenir (pand\u00e9mico) puesto en cuesti\u00f3n.
\n\u00a0<\/strong>\u00a0<\/strong><\/p>\n

1\u00ba ENCUENTRO \/\/ CUERPO \/\/<\/strong><\/p>\n

ITERACIONES entre ONYEKA IGWE (UK) y MARIE BARDET (ARG)<\/strong><\/p>\n

CORRESPONDENCIAS E INTERCAMBIOS<\/strong>
\nDe Onyeka Igwe a Marie Bardet \u00e0 \u2018Specialised Technique<\/em><\/a>\u2019 + \u2018Sitting on a man<\/em><\/a>\u2019
\nDe Marie Bardet a Onyeka Igwe \u00e0 Bit\u00e1cora Biling\u00fce de \u2018Perder la cara\u2019 + \u2018Hacer frente con nuestras espaldas<\/em><\/a>\u2019
\nSOBRE ONYEKA IGWE<\/strong> artista e investigadora que trabaja entre el cine y la instalaci\u00f3n. Naci\u00f3 y reside en Londres, Reino Unido. A trav\u00e9s de su trabajo, Onyeka se anima a preguntar: \u00bfc\u00f3mo vivimos juntos? – con especial inter\u00e9s en las formas sensoriales, espaciales y no can\u00f3nicas del conocimiento, que puedan proporcionar respuestas. Utiliza la corporeidad, la voz, los archivos, la narraci\u00f3n y el texto para crear estructuras en \u00abfiguras de ocho\u00bb, un formato que expone una multiplicidad de narrativas. La obra consiste en desatar hilos y hebras, anclados por un estilo de montaje r\u00edtmico, as\u00ed como en prestar atenci\u00f3n a la disonancia, a la reflexi\u00f3n y a la amplificaci\u00f3n que se produce entre la imagen y el sonido. Vino a Buenos Aires, en el 2019 para participar en la 10\u00ba Edici\u00f3n del Festival Internacional CineMigrante, en donde inaugur\u00f3 las exhibiciones \u2018[Post] Colonial Bodies I y II\u2019 (+<\/strong>info<\/strong><\/a>)
\nSOBRE MARIE BARDET<\/strong> hace filosof\u00eda y tambi\u00e9n danza. Naci\u00f3 en un pueblo de Francia y vive ahora en Buenos Aires. Su hacer y su pensar corren las fronteras entre teor\u00eda y pr\u00e1ctica y se nutren tanto de la improvisaci\u00f3n y las pr\u00e1cticas som\u00e1ticas como de la filosof\u00eda contempor\u00e1nea y de los pensamientos-pr\u00e1cticas transfeministas y queer<\/em>\/cuir<\/em>. En todo ese arco, tensa los problemas que recorren los cuerpos y la pol\u00edtica configurando espacios comunes de multiplicidad art\u00edstica y pensamiento situado. Es docente-investigadora del IDAES en la UNSAM y dirige el posgrado en \u201cPr\u00e1cticas Art\u00edsticas Contempor\u00e1neas\u201d del IAMK- UNSAM. Desarrolla conferencias esc\u00e9nicas y escribe.
\n\u00a0<\/strong><\/p>\n

MIER 02 JUN | 18 HS (GMT -3) <\/strong><\/p>\n

TRANSMISI\u00d3N EN VIVO<\/strong><\/p>\n

facebook.com\/IDAES<\/strong><\/a>
\n<\/strong>facebook.com\/CineMigrante<\/strong><\/a><\/p>\n

 <\/p>\n

LOS REGISTROS INTERCAMBIADOS ENTRE onyeka y marie <\/strong><\/p>\n

SER\u00c1N COMPARTIDOS CON l_s asistentes DURANTE LA TRANSMISI\u00d3N<\/strong><\/p>\n

\u00a0<\/strong><\/p>\n

ORGANIZAN <\/strong><\/p>\n

CineMigrante + Escuela IDAES + Factor IDAES<\/strong><\/p>\n

\u00a0<\/strong>
\n\u00a0<\/strong><\/p>\n

+ info<\/strong><\/p>\n

www.cinemigrante.org<\/strong><\/a><\/p>\n

instagram.com\/<\/strong>cinemigrante<\/strong><\/a><\/p>\n

facebook.com\/<\/strong>cinemigrante<\/strong><\/a><\/p>\n

twitter.com\/<\/strong>cinemigrante<\/strong><\/a><\/p>\n

 
\nTraces and repertoires of the sensitive<\/em><\/strong> is a cycle of 6 meetings<\/strong> based on correspondences and exchanges<\/strong> between artists, video activists, film directors, professors and researchers in social sciences from the IDAES-UNSAM School and other academic spaces, who share a record of the common in their questions, their searches and their research.
\nA correspondence that contains a film, a book, a text, a record, a photo, a way in which the exchange begins. A dialogue of encounter that locates the repertoires of the sensitive, the traces of that which does not necessarily form an archive, in the topography of situated knowledge. Writings, languages, research, small stories of a (pandemic) becoming put into question.
\n <\/p>\n

1ST MEETING \/\/ BODY \/\/<\/strong><\/p>\n

ITERATIONS between ONYEKA IGWE (UK) and MARIE BARDET (ARG)<\/strong><\/p>\n

 
\nCORRESPONDENCES AND EXCHANGES<\/strong>
\nFrom Onyeka Igwe to Marie Bardet \u00e0 \u2018Specialised Technique<\/em><\/a>\u2019 + \u2018Sitting on a man<\/em><\/a>\u2019
\nFrom Marie Bardet to Onyeka Igwe Bilingual Logbook of ‘Losing Face’<\/em> + <\/em>‘Facing up with our backs’<\/em><\/a>. <\/em>
\nABOUT ONYEKA IGWE<\/strong> Onyeka Igwe is an artist and researcher working between cinema and installation. She is born and based in London, UK. Through her work, Onyeka is animated by the question \u2014\u00a0 how do we live together? \u2014 with particular interest in the ways the sensorial, spatiality,\u00a0 and non-canonical ways of knowing can provide answers. She uses embodiment, voice, archives, narration and text to create structural \u2018figure-of-eights\u2019, a format that exposes a multiplicity of narratives. The work comprises untying strands and threads, anchored by a rhythmic editing style, as well as close attention to the dissonance, reflection and amplification that occurs between image and sound. She came to Buenos Aires in 2019 to participate in the 10th edition of the CineMigrante International Festival, where she opened the exhibitions ‘[Post] Colonial Bodies I & II’ (+info<\/strong><\/a>)
\nABOUT MARIE BARDET<\/strong> does philosophy as well as dance. She was born in a village in France and now lives in Buenos Aires. Her work and her thinking cross the boundaries between theory and practice and draw as much from improvisation and somatic practices as from contemporary philosophy and transfeminist and queer\/cuir thought-practices. Throughout this arc, she tenses the problems that run through bodies and politics, configuring common spaces of artistic multiplicity and situated thought. She is a teacher-researcher at IDAES at UNSAM and directs the postgraduate course in \u00abContemporary Artistic Practices\u00bb at IAMK-UNSAM. She develops stage conferences and writes.
\n <\/p>\n

WED 02 JUN | 18 HS (GMT -3)<\/strong><\/p>\n

LIVE BROADCAST<\/strong><\/p>\n

facebook.com\/IDAES<\/strong><\/a>
\n<\/strong>facebook.com\/CineMigrante<\/strong><\/a><\/p>\n

 <\/p>\n

THE RECORDS EXCHANGED BETWEEN onyeka and marie <\/strong><\/p>\n

WILL BE SHARED WITH ATTENDEES DURING THE BROADCAST<\/strong><\/p>\n

 <\/p>\n

ORGANISED BY<\/strong><\/p>\n

CineMigrante + IDAES School + Factor IDAES<\/strong><\/p>\n

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twitter.com\/cinemigrante<\/a><\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"

Rastros y repertorios de lo sensible es un ciclo de 6 encuentros basados en correspondencias e intercambios entre artistas, videoactivistas, director_s de cine y profesor_s e investigador_s\u00a0en ciencias sociales de … <\/p>\n

Continue reading \u00ab‘Rastros y Repertorios de lo sensible’ Correspondencias e intercambios para habitar una pandemia\u00bb<\/span><\/a><\/p>\n","protected":false},"author":10,"featured_media":8460,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":[],"categories":[1189,1164,1163,1331],"tags":[1175,1176,1177],"acf":[],"_links":{"self":[{"href":"https:\/\/cinemigrante.org\/muestras-itinerantes\/wp-json\/wp\/v2\/posts\/8454"}],"collection":[{"href":"https:\/\/cinemigrante.org\/muestras-itinerantes\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/cinemigrante.org\/muestras-itinerantes\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/cinemigrante.org\/muestras-itinerantes\/wp-json\/wp\/v2\/users\/10"}],"replies":[{"embeddable":true,"href":"https:\/\/cinemigrante.org\/muestras-itinerantes\/wp-json\/wp\/v2\/comments?post=8454"}],"version-history":[{"count":1,"href":"https:\/\/cinemigrante.org\/muestras-itinerantes\/wp-json\/wp\/v2\/posts\/8454\/revisions"}],"predecessor-version":[{"id":13253,"href":"https:\/\/cinemigrante.org\/muestras-itinerantes\/wp-json\/wp\/v2\/posts\/8454\/revisions\/13253"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/cinemigrante.org\/muestras-itinerantes\/wp-json\/wp\/v2\/media\/8460"}],"wp:attachment":[{"href":"https:\/\/cinemigrante.org\/muestras-itinerantes\/wp-json\/wp\/v2\/media?parent=8454"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/cinemigrante.org\/muestras-itinerantes\/wp-json\/wp\/v2\/categories?post=8454"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/cinemigrante.org\/muestras-itinerantes\/wp-json\/wp\/v2\/tags?post=8454"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}