{"id":14481,"date":"2022-02-06T12:36:12","date_gmt":"2022-02-06T15:36:12","guid":{"rendered":"https:\/\/cinemigrante.com\/ediciones-anteriores\/?page_id=14481"},"modified":"2022-03-22T17:36:04","modified_gmt":"2022-03-22T20:36:04","slug":"programacion-por-dia-caba","status":"publish","type":"page","link":"https:\/\/cinemigrante.org\/muestras-itinerantes\/barcelona\/7-edicion\/programacion-por-dia-caba\/","title":{"rendered":"Programaci\u00f3n por d\u00eda (CABA)"},"content":{"rendered":"\t\t
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Programaci\u00f3n por d\u00eda (CABA)<\/h2>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t
\r\n

Mi\u00e9rcoles 11 de septiembre<\/h2>\r\n\r\n\r\n\r\n
Sede<\/td>\r\n16h<\/td>\r\n17h<\/td>\r\n18h<\/td>\r\n19h<\/td>\r\n20h<\/td>\r\n21h<\/td>\r\n22h<\/td>\r\n23h<\/td>\r\n<\/tr>\r\n<\/tbody>\r\n<\/table>\r\n\r\n\r\n\r\n
Centro Cultural General San Mart\u00edn<\/td>\r\n\r\n
\r\n\t \t <\/div>\r\n
21:00<\/span>

<\/p>\r\n

\u2192 Shelter, Farewell to Eden<\/a>

<\/p>\r\n

\r\n \t \"Sand

<\/p>\r\n

Shelter, Farewell to Eden<\/h2>\r\n

Secci\u00f3n Central \u2018Im\u00e1genes para la insurrecci\u00f3n\u2019
Gala de apertura<\/span> <\/em><\/p>\r\n

Enrico Masi<\/span>
Documental | Italia, Francia \u2013 2019 \u2013 81\u2019<\/p>\r\n

ficha<\/a><\/p>\r\n

<\/p><\/div>\r\n<\/div><\/div>\r\n<\/td>\r\n<\/tr>\r\n<\/tbody>\r\n<\/table>\r\n

\t \t\t<\/p>\r\n

Jueves 12 de septiembre<\/h2>\r\n\r\n\r\n\r\n
Sede<\/td>\r\n16h<\/td>\r\n17h<\/td>\r\n18h<\/td>\r\n19h<\/td>\r\n20h<\/td>\r\n21h<\/td>\r\n22h<\/td>\r\n23h<\/td>\r\n<\/tr>\r\n<\/tbody>\r\n<\/table>\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n
Centro Cultural General San Mart\u00edn<\/td>\r\n\r\n
\r\n\t \t <\/div>\r\n
16:00<\/span>

<\/p>\r\n

\u2192 Fordlandia Malaise<\/a>

<\/p>\r\n

\r\n \"filles-du-feu\"

<\/p>\r\n

Fordlandia Malaise<\/h2>\r\n

Secci\u00f3n Central \u2018Im\u00e1genes para la insurrecci\u00f3n\u2019<\/span><\/em><\/p>\r\n

Susana De Soussa<\/span>
Documental | Portugal \u2013 2018 \u2013 40\u2032 <\/p>\r\n

ficha<\/a><\/p>\r\n

<\/p><\/div>\r\n<\/div>\r\n

\u2192 The Host<\/a>

<\/p>\r\n

\r\n \"filles-du-feu\"

<\/p>\r\n

The Host<\/h2>\r\n

Secci\u00f3n Central \u2018Im\u00e1genes para la insurrecci\u00f3n\u2019<\/span><\/em><\/p>\r\n

Miranda Pennell<\/span>
Documental |Reino Unido \u2013 2015 \u2013 60\u2019<\/p>\r\n

ficha<\/a><\/p>\r\n

<\/p><\/div>\r\n<\/div><\/div>\r\n

<\/p>\r\n

17:15<\/span>

<\/p>\r\n

\u2192 Merodeo<\/a>

<\/p>\r\n

\r\n \"filles-du-feu\"

<\/p>\r\n

Merodeo<\/h2>\r\n

Panorama<\/span><\/em><\/p>\r\n

Fernando Restelli<\/span>
Documental | Argentina \u2013 2016 \u2013 14\u2032<\/p>\r\n

ficha<\/a><\/p>\r\n

<\/p><\/div>\r\n<\/div>\r\n

\u2192 Faire-part<\/a>

<\/p>\r\n

\r\n \"filles-du-feu\"

<\/p>\r\n

Faire-part<\/h2>\r\n

Panorama<\/span><\/em><\/p>\r\n

Anne Reijniers, NizarSaleh, Paul Shemisi, Rob Jacobs<\/span>
Documental |B\u00e9lgica, RDC Congo \u2013 2018 \u2013 58\u2019<\/p>\r\n

ficha<\/a><\/p>\r\n

<\/p><\/div>\r\n<\/div><\/div>\r\n

<\/p>\r\n

18:00<\/span>

<\/p>\r\n

\u2192 To the living<\/a>

<\/p>\r\n

\r\n \"filles-du-feu\"

<\/p>\r\n

To the living<\/h2>\r\n

Panorama<\/span><\/em><\/p>\r\n

Pauline Fonsny<\/span>
Documental | B\u00e9lgica \u2013 2019 \u2013 27\u2032<\/p>\r\n

ficha<\/a><\/p>\r\n

<\/p><\/div>\r\n<\/div>\r\n

\u2192 Counting Tiles<\/a>

<\/p>\r\n

\r\n \"filles-du-feu\"

<\/p>\r\n

Counting Tiles<\/h2>\r\n

Panorama<\/span><\/em><\/p>\r\n

Cynthia Choucair<\/span>
Documental | L\u00edbano \u2013 2018 \u2013 87\u2019<\/p>\r\n

ficha<\/a><\/p>\r\n

<\/p><\/div>\r\n<\/div><\/div>\r\n

<\/p>\r\n

19:00<\/span>

<\/p>\r\n

\u2192 Passing Drama + Di\u00e1logo: Acto creativo \/ acto insurreccional. Pensar y sublevarse para liberar la vida. Suely Rolnik, Florencia Mazzadi y Agustina Comedi<\/a>

<\/p>\r\n

\r\n \"filles-du-feu\"

<\/p>\r\n

Passing Drama + Di\u00e1logo: Acto creativo \/ acto insurreccional. Pensar y sublevarse para liberar la vida. Suely Rolnik, Florencia Mazzadi y Agustina Comedi<\/h2>\r\n

Secci\u00f3n \u201810 a\u00f1os \/10 Mujeres\/10 Ensayos\u2019<\/span><\/em><\/p>\r\n

\u00c1ngela Melitopoulos<\/span>
Ensayo Documental | Alemania \u2013 1999 \u2013 66\u2032<\/p>\r\n

ficha<\/a><\/p>\r\n

<\/p><\/div>\r\n<\/div><\/div>\r\n

<\/p>\r\n

20:00<\/span>

<\/p>\r\n

\u2192 Volverse Aire<\/a>

<\/p>\r\n

\r\n \"filles-du-feu\"

<\/p>\r\n

Volverse Aire<\/h2>\r\n

Panorama<\/span><\/em><\/p>\r\n

Cristina Motta <\/span>
Documental| Espa\u00f1a \u2013 2015 \u2013 15\u2032<\/p>\r\n

ficha<\/a><\/p>\r\n

<\/p><\/div>\r\n<\/div>\r\n

\u2192 La Libertad del Diablo <\/a>

<\/p>\r\n

\r\n \"filles-du-feu\"

<\/p>\r\n

La Libertad del Diablo s<\/h2>\r\n

Panorama<\/span><\/em><\/p>\r\n

Everardo Gonz\u00e1lez<\/span>
Documental | M\u00e9xico \u2013 2017 \u2013 74\u2032<\/p>\r\n

ficha<\/a><\/p>\r\n

<\/p><\/div>\r\n<\/div><\/div>\r\n

<\/p>\r\n

22:00<\/span>

<\/p>\r\n

\u2192 A Story from Africa<\/a>

<\/p>\r\n

\r\n \"filles-du-feu\"

<\/p>\r\n

A Story from Africa<\/h2>\r\n

Secci\u00f3n Central \u2018Im\u00e1genes para la insurrecci\u00f3n\u2019<\/span><\/em><\/p>\r\n

Billy Woodberry<\/span>
Documental | Portugal -2018 \u2013 32\u2019<\/p>\r\n

ficha<\/a><\/p>\r\n

<\/p><\/div>\r\n<\/div>\r\n

\u2192 Hale County This Morning, This Evening<\/a>

<\/p>\r\n

\r\n \"filles-du-feu\"

<\/p>\r\n

Hale County This Morning, This Evening<\/h2>\r\n

Secci\u00f3n Central \u2018Im\u00e1genes para la insurrecci\u00f3n\u2019<\/span><\/em><\/p>\r\n

Ra Mell Ross<\/span>
Documental | EE.UU. \u2013 2018 \u2013 76\u2019<\/p>\r\n

ficha<\/a><\/p>\r\n

<\/p><\/div>\r\n<\/div><\/div>\r\n

<\/p>\r\n<\/td>\r\n<\/tr>\r\n

Museo Etnogr\u00e1fico<\/td>\r\n\r\n
\r\n\t \t <\/div>\r\n
17:00<\/span>

<\/p>\r\n

\u2192 Le Front du Refus (ou les Commando-suicides)<\/a>

<\/p>\r\n

\r\n \"A

<\/p>\r\n

Le Front du Refus (ou les Commando-suicides)<\/h2>\r\n

Retrospectiva Jocelyne Saab<\/span><\/em><\/p>\r\n

Jocelyne Saab <\/span>
Documental | Francia \u2013 1975 \u2013 12\u2032<\/p>\r\n

ficha<\/a><\/p>\r\n

<\/p><\/div>\r\n<\/div>\r\n

\u2192 Sud-Liban: Histoired\u2019un village assi\u00e9g\u00e9<\/a>

<\/p>\r\n

\r\n \"A

<\/p>\r\n

Sud-Liban: Histoired\u2019un village assi\u00e9g\u00e9<\/h2>\r\n

Retrospectiva Jocelyne Saab<\/span><\/em><\/p>\r\n

Jocelyne Saab <\/span>\r\n<\/p>

ficha<\/a><\/p>\r\n

<\/p><\/div>\r\n<\/div>\r\n

\u2192 Iran, l\u2019Utopie en marche<\/a>

<\/p>\r\n

\r\n \"A

<\/p>\r\n

Iran, l\u2019Utopie en marche<\/h2>\r\n

Retrospectiva Jocelyne Saab
Presentada por la curadora Mathilde Rouxel
\r\n
Q&A Mathilde Rouxel
\r\n<\/span><\/em><\/p>\r\n

Jocelyne Saab <\/span>
Ficci\u00f3n | Egipto, Francia \u2013 1980 \u2013 52\u2032<\/p>\r\n

ficha<\/a><\/p>\r\n

<\/p><\/div>\r\n<\/div><\/div>\r\n<\/td>\r\n<\/tr>\r\n

Espacio Cultural Biblioteca del Congreso de la Naci\u00f3n. Auditorio Leonardo Favio<\/td>\r\n\r\n
Casa Nacional del Bicentenario<\/td>\r\n\r\n
Casa Sof\u00eda<\/td>\r\n\r\n
\r\n\t \t <\/div>\r\n
21:00<\/span>

<\/p>\r\n

\u2192 Baixo centro
CINEMIGRANTE + HIEDRAH CLUB DE BAILE<\/a>

<\/p>\r\n

\r\n \t \"[Pe(l\u00ed)Performances]

<\/p>\r\n

Baixo centro <\/h2>\r\n

Secci\u00f3n Noches Extra\u00f1as
Performance musical con Hiedrah Club de Baile<\/span> <\/em><\/p>\r\n

Ewerton B\u00e9lico & Samuel Marotta <\/span>
Ficci\u00f3n | Brasil \u2013 2018 \u2013 80\u2032<\/p>\r\n

ficha<\/a><\/p>\r\n

<\/p><\/div>\r\n<\/div><\/div>\r\n<\/td>\r\n<\/tr>\r\n<\/tbody>\r\n<\/table>\r\n

\t \t\t<\/p>\r\n

Viernes 13 de septiembre<\/h2>\r\n\r\n\r\n\r\n
Sede<\/td>\r\n16h<\/td>\r\n17h<\/td>\r\n18h<\/td>\r\n19h<\/td>\r\n20h<\/td>\r\n21h<\/td>\r\n22h<\/td>\r\n23h<\/td>\r\n<\/tr>\r\n<\/tbody>\r\n<\/table>\r\n\r\n\r\n\r\n\r\n\r\n\r\n
Centro Cultural General San Mart\u00edn<\/td>\r\n\r\n
\r\n\t \t <\/div>\r\n
16:00<\/span>

<\/p>\r\n

\u2192 Les coursiers de la R\u00e9publique<\/a>

<\/p>\r\n

\r\n \"Like

<\/p>\r\n

Les coursiers de la R\u00e9publique<\/h2>\r\n

Panorama<\/span><\/em> <\/p>\r\n

Badredine Haouari<\/span>
Documental| Francia \u2013 2018 \u2013 33\u2032\r\n<\/p>\r\n

ficha<\/a><\/p>\r\n

<\/p><\/div>\r\n<\/div>\r\n

\u2192 Ash and Ember<\/a>

<\/p>\r\n

\r\n \"Burka

<\/p>\r\n

Ash and Ember<\/h2>\r\n

Panorama<\/span><\/em><\/p>\r\n

Manon Ott<\/span>
Documental |Francia \u2013 2018 \u2013 72\u2032<\/p>\r\n

ficha<\/a><\/p>\r\n

<\/p><\/div>\r\n<\/div><\/div>\r\n

17:15<\/span>

<\/p>\r\n

\u2192 Enforcement Hours<\/a>

<\/p>\r\n

\r\n \"The

<\/p>\r\n

Enforcement Hours<\/h2>\r\n

Secci\u00f3n Central \u2018Im\u00e1genes para la insurrecci\u00f3n\u2019<\/span><\/em><\/p>\r\n

Paloma Mart\u00ednez<\/span>
Documental| EE.UU \u2013 2019 \u2013 12\u2019<\/p>\r\n

ficha<\/a><\/p>\r\n

<\/p><\/div>\r\n<\/div>\r\n

\u2192 It\u2019s going to be beautiful<\/a>

<\/p>\r\n

\r\n \"AfroPromo

<\/p>\r\n

It\u2019s going to be beautiful<\/h2>\r\n

Secci\u00f3n Central \u2018Im\u00e1genes para la insurrecci\u00f3n\u2019<\/span><\/em><\/p>\r\n

Luis Guti\u00e9rrez Arias y John Henry Theisen<\/span>
Documental Experimental |M\u00e9xico, EE.UU \u2013 2018 \u2013 8\u2019<\/p>\r\n

ficha<\/a><\/p>\r\n

<\/p><\/div>\r\n<\/div>\r\n

\u2192 Panoptic<\/a>

<\/p>\r\n

\r\n \"Panoptic\"

<\/p>\r\n

Panoptic<\/h2>\r\n

Secci\u00f3n Central \u2018Im\u00e1genes para la insurrecci\u00f3n\u2019<\/span><\/em><\/p>\r\n

Rana Eid<\/span>
Documental | L\u00edbano \u2013 2017 \u2013 69\u2032<\/p>\r\n

ficha<\/a><\/p>\r\n

<\/p><\/div>\r\n<\/div>\r\n<\/div>\r\n

18:00<\/span>

<\/p>\r\n

\u2192 Sitting on a Man <\/a>

<\/p>\r\n

\r\n \t \"Vazio

<\/p>\r\n

Sitting on a Man <\/h2>\r\n

Secci\u00f3n Central \u2018Im\u00e1genes para la insurrecci\u00f3n\u2019<\/span> <\/em><\/p>\r\n

Onyeka Igwe<\/span>
Experimental | Reino Unido \u2013 2018 \u2013 6\u2019<\/p>\r\n

ficha<\/a><\/p>\r\n

<\/p><\/div>\r\n<\/div>\r\n

\u2192 Mother, I Am Suffocating. This Is My Last Film About You<\/a>

<\/p>\r\n

\r\n \t \"Estado

<\/p>\r\n

Mother, I Am Suffocating. This Is My Last Film About You<\/h2>\r\n

Secci\u00f3n Central \u2018Im\u00e1genes para la insurrecci\u00f3n\u2019<\/span> <\/em><\/p>\r\n

Lemohang Jeremiah Mosese<\/span>
Documental | Lesoto, Qatar -2019 \u2013 76\u2019<\/p>\r\n

ficha<\/a><\/p>\r\n

<\/p><\/div>\r\n<\/div><\/div>\r\n

19:00<\/span>\t \t \t\t\t

<\/p>\r\n

\u2192 Still Recording<\/a>

<\/p>\r\n

\r\n \t \"Vazio

<\/p>\r\n

Still Recording<\/h2>\r\n

Secci\u00f3n Central \u2018Im\u00e1genes para la insurrecci\u00f3n\u2019<\/span> <\/em><\/p>\r\n

Saeed Al Batal, Ghiath Ayoub <\/span>
Documental| Francia, Alemania, L\u00edbano Qatar, Siria \u2013 2018 \u2013 123\u2032<\/p>\r\n

ficha<\/a><\/p>\r\n

<\/p><\/div>\r\n<\/div>\r\n<\/div>\r\n

20:00<\/span>\t \t \t\t\t

<\/p>\r\n

\u2192 CONFERENCIA CENTRAL \u2018Suely Rolnik. La persistencia de la vida. Apuntes para decolonizar el inconciente\u2019 Presenta: Esther D\u00edaz<\/a>

<\/p>\r\n

\r\n \t \"Vazio

<\/p>\r\n

CONFERENCIA CENTRAL \u2018Suely Rolnik. La persistencia de la vida. Apuntes para decolonizar el inconciente\u2019 Presenta: Esther D\u00edaz<\/h2>\r\n

Actividades paralelas<\/span> <\/em><\/p>\r\n

Suely Rolnik & Esther D\u00edaz<\/span><\/p>\r\n

ficha<\/a><\/p>\r\n

<\/p><\/div>\r\n<\/div>\r\n<\/div>\r\n

22:00<\/span>

<\/p>\r\n

\u2192 Azougu\u00e9 Nazar\u00e9<\/a>

<\/p>\r\n

\r\n \"Les

<\/p>\r\n

Azougu\u00e9 Nazar\u00e9<\/h2>\r\n

Secci\u00f3n \u2018Brasil: Persiste, Resiste!\u2019<\/span><\/em><\/p>\r\n

Tiago Melo<\/span>
Ficci\u00f3n |Brasil \u2013 2018 \u2013 80\u2019<\/p>\r\n

ficha<\/a><\/p>\r\n

<\/p><\/div>\r\n<\/div><\/div>\r\n<\/td>\r\n<\/tr>\r\n

Museo Etnogr\u00e1fico<\/td>\r\n\r\n
\r\n\t \t <\/div>\r\n
16:45<\/span>

<\/p>\r\n

\u2192 Les Nouveaux crois\u00e9s d\u2019Orient (ou Portraitd\u2019un mercenaire fran\u00e7ais)<\/a>

<\/p>\r\n

\r\n \"A

<\/p>\r\n

Les Nouveaux crois\u00e9s d\u2019Orient (ou Portraitd\u2019un mercenaire fran\u00e7ais)<\/h2>\r\n

Retrospectiva Jocelyne Saab<\/span><\/em><\/p>\r\n

Jocelyne Saab <\/span>
Documental | L\u00edbano \u2013 1975 \u2013 10\u2032<\/p>\r\n

ficha<\/a><\/p>\r\n

<\/p><\/div>\r\n<\/div>\r\n

\u2192 Les enfants de la guerre<\/a>

<\/p>\r\n

\r\n \"A

<\/p>\r\n

Les enfants de la guerre<\/h2>\r\n

Retrospectiva Jocelyne Saab<\/span><\/em><\/p>\r\n

Jocelyne Saab <\/span>
Documental | L\u00edbano \u2013 1976 \u2013 10\u2032<\/p>\r\n

ficha<\/a><\/p>\r\n

<\/p><\/div>\r\n<\/div>\r\n

\u2192 Le Liban dans la tourmente<\/a>

<\/p>\r\n

\r\n \"A

<\/p>\r\n

Le Liban dans la tourmente<\/h2>\r\n

Retrospectiva Jocelyne Saab
Presentada por la curadora Mathilde Rouxel
\r\n
Q&A Mathilde Rouxel
\r\n<\/span><\/em><\/p>\r\n

Jocelyne Saab <\/span>
Documental | L\u00edbano \u2013 1975 \u2013 75\u2032<\/p>\r\n

ficha<\/a><\/p>\r\n

<\/p><\/div>\r\n<\/div><\/div>\r\n<\/td>\r\n<\/tr>\r\n

Centro Cultural Haroldo Conti <\/td>\r\n\r\n
Casa Nacional del Bicentenario<\/td>\r\n\r\n
\r\n\t \t <\/div>\r\n
19:15<\/span>

<\/p>\r\n

\u2192 History and Memory: for Akiko and Takashige<\/a>

<\/p>\r\n

\r\n \"Ma\u00b4Ohi

<\/p>\r\n

History and Memory: for Akiko and Takashige<\/h2>\r\n

Secci\u00f3n \u201810 a\u00f1os \/10 Mujeres\/10 Ensayos\u2019<\/span><\/em><\/p>\r\n

Rea Tajiri<\/span>
Ensayo Documental | EE.UU. \u2013 1991 \u2013 32\u2032<\/p>\r\n

ficha<\/a><\/p>\r\n

<\/p><\/div>\r\n<\/div>\r\n

\u2192 Reassemblage<\/a>

<\/p>\r\n

\r\n \"Ma\u00b4Ohi

<\/p>\r\n

Reassemblage<\/h2>\r\n

Secci\u00f3n \u201810 a\u00f1os \/10 Mujeres\/10 Ensayos\u2019<\/span><\/em><\/p>\r\n

Trinh T. Minh-ha<\/span>
Documental | EE.UU \u2013 1982 \u2013 40\u2019
Presentada por la curadora Agustina Comedi<\/p>\r\n

ficha<\/a><\/p>\r\n

<\/p><\/div>\r\n<\/div><\/div>\r\n<\/td>\r\n<\/tr>\r\n<\/tbody>\r\n<\/table>\r\n

\t \t<\/p>\r\n

S\u00e1bado 14 de Septiembre<\/h2>\r\n\r\n\r\n\r\n
Sede<\/td>\r\n14h<\/td>\r\n15h<\/td>\r\n16h<\/td>\r\n17h<\/td>\r\n18h<\/td>\r\n19h<\/td>\r\n20h<\/td>\r\n21h<\/td>\r\n22h<\/td>\r\n23h<\/td>\r\n<\/tr>\r\n<\/tbody>\r\n<\/table>\r\n\r\n\r\n\r\n\r\n\r\n
MUNTREF Centro de Arte Contempor\u00e1neo. Sede Hotel de los Inmigrantes<\/td>\r\n\r\n
Centro Cultural General San Mart\u00edn<\/td>\r\n\r\n
\r\n\t \t <\/div>\r\n
14:00<\/span>

<\/p>\r\n

\u2192 Prisoner of Society<\/a>

<\/p>\r\n

\r\n \t \"Sand

<\/p>\r\n

Prisoner of Society<\/h2>\r\n

Secci\u00f3n Central \u2018Im\u00e1genes para la insurrecci\u00f3n\u2019<\/span> <\/em><\/p>\r\n

Rati Tsiteladze<\/span>
Documental | Georgia \u2013 2018 \u2013 18\u2019<\/p>\r\n

ficha<\/a><\/p>\r\n

<\/p><\/div>\r\n<\/div>\r\n

\u2192 Naomi Campbell<\/a>

<\/p>\r\n

\r\n \t \"Sand

<\/p>\r\n

Naomi Campbell<\/h2>\r\n

Secci\u00f3n Central \u2018Im\u00e1genes para la insurrecci\u00f3n\u2019<\/span> <\/em><\/p>\r\n

Camila Jos\u00e9 Donoso<\/span>
Ficci\u00f3n | Chile \u2013 2013 \u2013 83\u2019 \u2013 HDCam<\/p>\r\n

ficha<\/a><\/p>\r\n

<\/p><\/div>\r\n<\/div><\/div>\r\n

15:30<\/span>

<\/p>\r\n

\u2192 A moon for my father<\/a>

<\/p>\r\n

\r\n \t \"Sand

<\/p>\r\n

A moon for my father<\/h2>\r\n

Secci\u00f3n Central \u2018Im\u00e1genes para la insurrecci\u00f3n\u2019<\/span> <\/em><\/p>\r\n

Mania Akbari<\/span>
Documental | Reino Unido, Ir\u00e1n \u2013 2018 \u2013 85\u2032<\/p>\r\n

ficha<\/a><\/p>\r\n

<\/p><\/div>\r\n<\/div>\r\n<\/div>\r\n

16:00<\/span>

<\/p>\r\n

\u2192 Ustia <\/a>

<\/p>\r\n

\r\n\"Rey\"

<\/p>\r\n

Ustia <\/h2>\r\n

Panorama<\/span><\/em><\/p>\r\n

Rodrigo Moreno <\/span>
Documental | Argentina \u2013 2018 \u2013 5\u2032<\/p>\r\n

ficha<\/a><\/p>\r\n<\/div>\r\n<\/div>\r\n

\u2192 La Deriva <\/a>

<\/p>\r\n

\r\n\"Rey\"

<\/p>\r\n

La Deriva <\/h2>\r\n

Panorama<\/span><\/em><\/p>\r\n

Iv\u00e1n Moscovich <\/span>
Documental | Argentina \u2013 2019 \u2013 13\u2032<\/p>\r\n

ficha<\/a><\/p>\r\n<\/div>\r\n<\/div>\r\n

\u2192 Volverse Aire<\/a>

<\/p>\r\n

\r\n \"filles-du-feu\"

<\/p>\r\n

Volverse Aire<\/h2>\r\n

Panorama<\/span><\/em><\/p>\r\n

Cristina Motta <\/span>
Documental| Espa\u00f1a \u2013 2015 \u2013 15\u2032<\/p>\r\n

ficha<\/a><\/p>\r\n

<\/p><\/div>\r\n<\/div>\r\n

\u2192 Merodeo<\/a>

<\/p>\r\n

\r\n \"filles-du-feu\"

<\/p>\r\n

Merodeo<\/h2>\r\n

Panorama<\/span><\/em><\/p>\r\n

Fernando Restelli<\/span>
Documental | Argentina \u2013 2016 \u2013 14\u2032<\/p>\r\n

ficha<\/a><\/p>\r\n

<\/p><\/div>\r\n<\/div>\r\n

\u2192 Las Expansiones<\/a>

<\/p>\r\n

\r\n \"filles-du-feu\"

<\/p>\r\n

Las Expansiones<\/h2>\r\n

Panorama<\/span><\/em><\/p>\r\n

Manuel Ferrari<\/span>
Documental | Argentina \u2013 2017 \u2013 30\u2032<\/p>\r\n

ficha<\/a><\/p>\r\n

<\/p><\/div>\r\n<\/div>\r\n

\u2192 KLEIZAME<\/a>

<\/p>\r\n

\r\n \t \"Sand

<\/p>\r\n

KLEIZAME<\/h2>\r\n

Panorama<\/span> <\/em><\/p>\r\n

Sol Prado <\/span>
Documental| Espa\u00f1a \u2013 2018 \u2013 21\u2032<\/p>\r\n

ficha<\/a><\/p>\r\n

<\/p><\/div>\r\n<\/div>\r\n<\/div>\r\n

17:30<\/span>

<\/p>\r\n

\u2192 Beyrouth, jamais plus <\/a>

<\/p>\r\n

\r\n \"A

<\/p>\r\n

Beyrouth, jamais plus <\/h2>\r\n

Retrospectiva Jocelyne Saab<\/span><\/em><\/p>\r\n

Jocelyne Saab <\/span>
Documental | L\u00edbano \u2013 1976 \u2013 35\u2019<\/p>\r\n

ficha<\/a><\/p>\r\n

<\/p><\/div>\r\n<\/div>\r\n

\u2192 Lettre de Beyrouth<\/a>

<\/p>\r\n

\r\n \"A

<\/p>\r\n

Lettre de Beyrouth<\/h2>\r\n

Retrospectiva Jocelyne Saab<\/span><\/em><\/p>\r\n

Jocelyne Saab <\/span>
Documental |Libano \u2013 1978 \u2013 52\u2032<\/p>\r\n

ficha<\/a><\/p>\r\n

<\/p><\/div>\r\n<\/div>\r\n

\u2192 Beyrouth, ma ville<\/a>

<\/p>\r\n

\r\n \"A

<\/p>\r\n

Beyrouth, ma ville<\/h2>\r\n

Retrospectiva Jocelyne Saab
Presentada por la curadora Mathilde Rouxel
\r\n
Q&A Mathilde Rouxel
\r\n<\/span><\/em><\/p>\r\n

Jocelyne Saab <\/span>
Documental | L\u00edbano \u2013 1986 \u2013 38\u2032<\/p>\r\n

ficha<\/a><\/p>\r\n

<\/p><\/div>\r\n<\/div><\/div>\r\n

18:00<\/span>

<\/p>\r\n

\u2192 Los sue\u00f1os del castillo<\/a>

<\/p>\r\n

\r\n \t \"Sand

<\/p>\r\n

Los sue\u00f1os del castillo<\/h2>\r\n

Secci\u00f3n Central \u2018Im\u00e1genes para la insurrecci\u00f3n\u2019<\/span> <\/em><\/p>\r\n

Ren\u00e9 Ballesteros<\/span>
Documental| Chile, Francia \u2013 2018 \u2013 71\u2032<\/p>\r\n

ficha<\/a><\/p>\r\n

<\/p><\/div>\r\n<\/div>\r\n<\/div>\r\n

20:00<\/span>

<\/p>\r\n

\u2192 Chaos<\/a>

<\/p>\r\n

\r\n \"Era

<\/p>\r\n

Chaos<\/h2>\r\n

Panorama<\/span><\/em><\/p>\r\n

Sara Fattahi<\/span>
Ficci\u00f3n | Austria, Siria, L\u00edbano, Qatar \u2013 95\u2032<\/p>\r\n

ficha<\/a><\/p>\r\n

<\/p><\/div>\r\n<\/div><\/div>\r\n

22:00<\/span>

<\/p>\r\n

\u2192 Tepantar<\/a>

<\/p>\r\n

\r\n \t \"Sand

<\/p>\r\n

Tepantar<\/h2>\r\n

Secci\u00f3n Central \u2018Im\u00e1genes para la insurrecci\u00f3n\u2019<\/span> <\/em><\/p>\r\n

Michelon Pierre<\/span>
Experimental | Francia \u2013 2017 \u2013 32\u2019<\/p>\r\n

ficha<\/a><\/p>\r\n

<\/p><\/div>\r\n<\/div>\r\n

\u2192 Shelter, Farewell to Eden<\/a>

<\/p>\r\n

\r\n \t \"Sand

<\/p>\r\n

Shelter, Farewell to Eden<\/h2>\r\n

Secci\u00f3n Central \u2018Im\u00e1genes para la insurrecci\u00f3n\u2019<\/span> <\/em><\/p>\r\n

Enrico Masi<\/span>
Documental | Italia, Francia \u2013 2019 \u2013 81\u2019<\/p>\r\n

ficha<\/a><\/p>\r\n

<\/p><\/div>\r\n<\/div>\r\n<\/div>\r\n<\/td>\r\n<\/tr>\r\n

Centro Cultural Haroldo Conti<\/td>\r\n\r\n
Casa Nacional del Bicentenario<\/td>\r\n\r\n
Casa Sof\u00eda<\/td>\r\n\r\n
\r\n\t \t <\/div>\r\n
21:00<\/span>

<\/p>\r\n

\u2192 Sol Alegr\u00eda
CINEMIGRANTE + HIEDRAH CLUB DE BAILE<\/a>

<\/p>\r\n

\r\n \t \"[Pe(l\u00ed)Performances]

<\/p>\r\n

Sol Alegr\u00eda <\/h2>\r\n

Secci\u00f3n Noches Extra\u00f1as
Performance musical con Hiedrah Club de Baile<\/span> <\/em><\/p>\r\n

Tavinho Teixeira <\/span>
Ficci\u00f3n | Brasil \u2013 2018 \u2013 90\u2032<\/p>\r\n

ficha<\/a><\/p>\r\n

<\/p><\/div>\r\n<\/div><\/div>\r\n<\/td>\r\n<\/tr>\r\n<\/tbody>\r\n<\/table>\r\n

\t \t<\/p>\r\n

Domingo 15 de septiembre<\/h2>\r\n\r\n\r\n\r\n
Sede<\/td>\r\n14h<\/td>\r\n15h<\/td>\r\n16h<\/td>\r\n17h<\/td>\r\n18h<\/td>\r\n19h<\/td>\r\n20h<\/td>\r\n21h<\/td>\r\n22h<\/td>\r\n<\/tr>\r\n<\/tbody>\r\n<\/table>\r\n\r\n\r\n\r\n\r\n\r\n\r\n
Centro Cultural General San Mart\u00edn<\/td>\r\n\r\n
\r\n\t \t <\/div>\r\n
14:00<\/span>

<\/p>\r\n

\u2192 Fragments of a German Life<\/a>

<\/p>\r\n

\r\n \t \"Sand

<\/p>\r\n

Fragments of a German Life<\/h2>\r\n

Panorama<\/span> <\/em><\/p>\r\n

Suli Kurban<\/span>
Documental| Alemania \u2013 2017 \u2013 28\u2032<\/p>\r\n

ficha<\/a><\/p>\r\n

<\/p><\/div>\r\n<\/div>\r\n

\u2192 In the name of Scheherazade or the first beer garden in Tehran <\/a>

<\/p>\r\n

\r\n \t \"Sand

<\/p>\r\n

In the name of Scheherazade or the first beer garden in Tehran <\/h2>\r\n

Panorama<\/span> <\/em><\/p>\r\n

Narges Kalhor<\/span>
Documental |Ir\u00e1n, Alemania \u2013 2019 \u2013 75\u2032<\/p>\r\n

ficha<\/a><\/p>\r\n

<\/p><\/div>\r\n<\/div><\/div>\r\n

15:00<\/span>

<\/p>\r\n

\u2192 Dona S\u00f4nia pediu uma arma para seu vizinho Alcides<\/a>

<\/p>\r\n

\r\n \t \"Central

<\/p>\r\n

Dona S\u00f4nia pediu uma arma para seu vizinho Alcides<\/h2>\r\n

Secci\u00f3n \u2018Brasil: Persiste, Resiste!\u2019<\/span> <\/em><\/p>\r\n

Gabriel Martins<\/span>
Documental | Brasil \u2013 2011 \u2013 18\u2019<\/p>\r\n

ficha<\/a><\/p>\r\n

<\/p><\/div>\r\n<\/div>\r\n

\u2192 Baronesa <\/a>

<\/p>\r\n

\r\n \t \"Central

<\/p>\r\n

Baronesa <\/h2>\r\n

Secci\u00f3n \u2018Brasil: Persiste, Resiste!\u2019<\/span> <\/em><\/p>\r\n

Juliana Antunes<\/span>
Documental | Brasil \u2013 2017 \u2013 70\u2019<\/p>\r\n

ficha<\/a><\/p>\r\n

<\/p><\/div>\r\n<\/div><\/div>\r\n

16:00<\/span>

<\/p>\r\n

\u2192 KLEIZAME<\/a>

<\/p>\r\n

\r\n \t \"Sand

<\/p>\r\n

KLEIZAME<\/h2>\r\n

Panorama<\/span> <\/em><\/p>\r\n

Sol Prado <\/span>
Documental| Espa\u00f1a \u2013 2018 \u2013 21\u2032<\/p>\r\n

ficha<\/a><\/p>\r\n

<\/p><\/div>\r\n<\/div>\r\n

\u2192 Extin\u00e7ao <\/a>

<\/p>\r\n

\r\n \t \"Sand

<\/p>\r\n

Extin\u00e7ao<\/h2>\r\n

Panorama<\/span> <\/em><\/p>\r\n

Salom\u00e9 Lamas <\/span>
Documental| Portugal, Alemania \u2013 2018 \u2013 80\u2032<\/p>\r\n

ficha<\/a><\/p>\r\n

<\/p><\/div>\r\n<\/div><\/div>\r\n

18:00<\/span>

<\/p>\r\n

\u2192 Azougu\u00e9 Nazar\u00e9<\/a>

<\/p>\r\n

\r\n \"Les

<\/p>\r\n

Azougu\u00e9 Nazar\u00e9<\/h2>\r\n

Secci\u00f3n \u2018Brasil: Persiste, Resiste!\u2019<\/span><\/em><\/p>\r\n

Tiago Melo<\/span>
Ficci\u00f3n |Brasil \u2013 2018 \u2013 80\u2019<\/p>\r\n

ficha<\/a><\/p>\r\n

<\/p><\/div>\r\n<\/div><\/div>\r\n

20:00<\/span>

<\/p>\r\n

\u2192 Specialised Technique<\/a>

<\/p>\r\n

\r\n \"Les

<\/p>\r\n

Specialised Technique<\/h2>\r\n

Secci\u00f3n Central \u2018Im\u00e1genes para la insurrecci\u00f3n\u2019<\/span><\/em><\/p>\r\n

Onyeka Igwe<\/span>
Experimental |Reino Unido \u2013 2018 \u2013 6\u2019<\/p>\r\n

ficha<\/a><\/p>\r\n

<\/p><\/div>\r\n<\/div>\r\n

\u2192 Odyssey<\/a>

<\/p>\r\n

\r\n \"Les

<\/p>\r\n

Odyssey<\/h2>\r\n

Secci\u00f3n Central \u2018Im\u00e1genes para la insurrecci\u00f3n\u2019<\/span><\/em><\/p>\r\n

Sabine Groenewegen<\/span>
Documental | Francia, B\u00e9lgica, Holanda \u2013 2018 \u2013 71\u2019<\/p>\r\n

ficha<\/a><\/p>\r\n

<\/p><\/div>\r\n<\/div><\/div>\r\n

20:00<\/span>

<\/p>\r\n

\u2192 Soleils Noirs<\/a>

<\/p>\r\n

\r\n \"Les

<\/p>\r\n

Soleils Noirs<\/h2>\r\n

Panorama<\/span><\/em><\/p>\r\n

Julien Elie<\/span>
Documental | M\u00e9xico, Canad\u00e1 \u2013 2018 \u2013 154\u2032<\/p>\r\n

ficha<\/a><\/p>\r\n

<\/p><\/div>\r\n<\/div>\r\n<\/div>\r\n

22:00<\/span>

<\/p>\r\n

\u2192 Temporada<\/a>

<\/p>\r\n

\r\n \"Les

<\/p>\r\n

Temporada<\/h2>\r\n

Panorama<\/span><\/em><\/p>\r\n

Andr\u00e9 Novais Oliveira<\/span>
Ficci\u00f3n| Brasil \u2013 2018 \u2013 113\u2032<\/p>\r\n

ficha<\/a><\/p>\r\n

<\/p><\/div>\r\n<\/div>\r\n<\/div>\r\n<\/td>\r\n<\/tr>\r\n

Museo Etnogr\u00e1fico<\/td>\r\n\r\n
Centro Cultural Haroldo Conti<\/td>\r\n\r\n
\r\n\t \t <\/div>\r\n
17:00<\/span>

<\/p>\r\n

\u2192 Libre<\/a>

<\/p>\r\n

\r\n \t \"Sand

<\/p>\r\n

Libre<\/h2>\r\n

Secci\u00f3n Central \u2018Im\u00e1genes para la insurrecci\u00f3n\u2019<\/span> <\/em><\/p>\r\n

Anna Barsan<\/span>
Documental | EE.UU \u2013 2018 \u2013 12\u2019<\/p>\r\n

ficha<\/a><\/p>\r\n

<\/p><\/div>\r\n<\/div>\r\n

\u2192 Los sue\u00f1os del castillo<\/a>

<\/p>\r\n

\r\n \t \"Sand

<\/p>\r\n

Los sue\u00f1os del castillo<\/h2>\r\n

Secci\u00f3n Central \u2018Im\u00e1genes para la insurrecci\u00f3n\u2019<\/span> <\/em><\/p>\r\n

Ren\u00e9 Ballesteros<\/span>
Documental| Chile, Francia \u2013 2018 \u2013 71\u2032<\/p>\r\n

ficha<\/a><\/p>\r\n

<\/p><\/div>\r\n<\/div>\r\n<\/div>\r\n

19:00<\/span>

<\/p>\r\n

\u2192 Noir Blue \u2013 Deslocamentos de umadan\u00e7a<\/a>

<\/p>\r\n

\r\n \t \"Sand

<\/p>\r\n

Noir Blue \u2013 Deslocamentos de umadan\u00e7a<\/h2>\r\n

Secci\u00f3n Central \u2018Im\u00e1genes para la insurrecci\u00f3n\u2019<\/span> <\/em><\/p>\r\n

Ana Pi<\/span>
Documental | Brasil, Francia \u2013 2018 \u2013 27\u2019<\/p>\r\n

ficha<\/a><\/p>\r\n

<\/p><\/div>\r\n<\/div>\r\n

\u2192 Chez Jolie Coiffure<\/a>

<\/p>\r\n

\r\n \t \"Sand

<\/p>\r\n

Chez Jolie Coiffure<\/h2>\r\n

Secci\u00f3n Central \u2018Im\u00e1genes para la insurrecci\u00f3n\u2019<\/span> <\/em><\/p>\r\n

Rosine Mfetgo Mbakam<\/span>
Documental | B\u00e9lgica, Camer\u00fan \u2013 2018 \u2013 70\u2019<\/p>\r\n

ficha<\/a><\/p>\r\n

<\/p><\/div>\r\n<\/div>\r\n<\/div>\r\n<\/td>\r\n<\/tr>\r\n

Casa Nacional del Bicentenario<\/td>\r\n\r\n
\r\n\t \t <\/div>\r\n
19:15<\/span>

<\/p>\r\n

\u2192 La memoria Interior <\/a>

<\/p>\r\n

\r\n \"Ma\u00b4Ohi

<\/p>\r\n

La memoria Interior <\/h2>\r\n

Secci\u00f3n \u201810 a\u00f1os \/10 Mujeres\/10 Ensayos\u2019<\/span><\/em><\/p>\r\n

Mar\u00eda Ruido<\/span>
Ensayo Documental | Espa\u00f1a \u2013 2002 \u2013 32\u2032<\/p>\r\n

ficha<\/a><\/p>\r\n

<\/p><\/div>\r\n<\/div>\r\n

\u2192 The ties that bind<\/a>

<\/p>\r\n

\r\n \"Ma\u00b4Ohi

<\/p>\r\n

The ties that bind<\/h2>\r\n

Secci\u00f3n \u201810 a\u00f1os \/10 Mujeres\/10 Ensayos\u2019<\/span><\/em><\/p>\r\n

Su Friedrich <\/span>
Ensayo Documental | EEUU \u2013 1984 \u2013 55\u2032
Presentada por la curadora Agustina Comedi<\/p>\r\n

ficha<\/a><\/p>\r\n

<\/p><\/div>\r\n<\/div><\/div>\r\n<\/td>\r\n<\/tr>\r\n<\/tbody>\r\n<\/table>\r\n

\t \t\t<\/p>\r\n

Lunes 16 de Septiembre<\/h2>\r\n\r\n\r\n\r\n
Sede<\/td>\r\n15h<\/td>\r\n16h<\/td>\r\n17h<\/td>\r\n18h<\/td>\r\n19h<\/td>\r\n20h<\/td>\r\n21h<\/td>\r\n22h<\/td>\r\n<\/tr>\r\n<\/tbody>\r\n<\/table>\r\n\r\n\r\n\r\n
Centro Cultural General San Mart\u00edn<\/td>\r\n\r\n
\r\n\t \t <\/div>\r\n
15:00<\/span>

<\/p>\r\n

\u2192 La memoria Interior <\/a>

<\/p>\r\n

\r\n \"Ma\u00b4Ohi

<\/p>\r\n

La memoria Interior <\/h2>\r\n

Secci\u00f3n \u201810 a\u00f1os \/10 Mujeres\/10 Ensayos\u2019<\/span><\/em><\/p>\r\n

Mar\u00eda Ruido<\/span>
Ensayo Documental | Espa\u00f1a \u2013 2002 \u2013 32\u2032<\/p>\r\n

ficha<\/a><\/p>\r\n

<\/p><\/div>\r\n<\/div>\r\n

\u2192 The ties that bind<\/a>

<\/p>\r\n

\r\n \"Ma\u00b4Ohi

<\/p>\r\n

The ties that bind<\/h2>\r\n

Secci\u00f3n \u201810 a\u00f1os \/10 Mujeres\/10 Ensayos\u2019<\/span><\/em><\/p>\r\n

Su Friedrich <\/span>
Ensayo Documental | EEUU \u2013 1984 \u2013 55\u2032
Presentada por la curadora Agustina Comedi<\/p>\r\n

ficha<\/a><\/p>\r\n

<\/p><\/div>\r\n<\/div><\/div>\r\n

16:00<\/span>

<\/p>\r\n

\u2192 Trajectory Drift<\/a>

<\/p>\r\n

\r\n \"Matangi\/Maya\/M.I.A.\"

<\/p>\r\n

Trajectory Drift<\/h2>\r\n

Panorama<\/span><\/em><\/p>\r\n

Iv\u00e1n Casti\u00f1eiras<\/span>
Ficci\u00f3n| Francia \u2013 2018 \u2013 24\u2019<\/p>\r\n

ficha<\/a><\/p>\r\n

<\/p><\/div>\r\n<\/div>\r\n

\u2192 Citt\u00e0 Giardino<\/a>

<\/p>\r\n

\r\n \"Matangi\/Maya\/M.I.A.\"

<\/p>\r\n

Citt\u00e0 Giardino<\/h2>\r\n

Panorama<\/span><\/em><\/p>\r\n

Marco Piccarreda<\/span>
Documental |Italia \u2013 2018 \u2013 55\u2032<\/p>\r\n

ficha<\/a><\/p>\r\n

<\/p><\/div>\r\n<\/div><\/div>\r\n

17:00<\/span>

<\/p>\r\n

\u2192 Chuva \u00e9 cantoria na aldeia dos mortos<\/a>

<\/p>\r\n

\r\n \"Branco

<\/p>\r\n

Chuva \u00e9 cantoria na aldeia dos mortos<\/h2>\r\n

Secci\u00f3n \u2018Brasil: Persiste, Resiste!\u2019<\/span><\/em><\/p>\r\n

Jo\u00e3o Salaviza, Ren\u00e9e Nader Messora<\/span>
Documental | Brasil \u2013 2018 \u2013 114\u2019
\r\nQ&A Adirley Queiros<\/p>\r\n

ficha<\/a><\/p>\r\n

<\/p><\/div>\r\n<\/div><\/div>\r\n

18:00<\/span>

<\/p>\r\n

\u2192 Shoot Me <\/a>

<\/p>\r\n

\r\n \"Matangi\/Maya\/M.I.A.\"

<\/p>\r\n

Shoot Me <\/h2>\r\n

Secci\u00f3n Central \u2018Im\u00e1genes para la insurrecci\u00f3n\u2019<\/span><\/em><\/p>\r\n

Narges Kalhor y Benedikt Schwarzer <\/span>
Documental| Alemania \u2013 2013 \u2013 30\u2032<\/p>\r\n

ficha<\/a><\/p>\r\n

<\/p><\/div>\r\n<\/div>\r\n

\u2192 Hungary 2018 \u2013 Behind the Scenes of Democracy <\/a>

<\/p>\r\n

\r\n \"Matangi\/Maya\/M.I.A.\"

<\/p>\r\n

Hungary 2018 \u2013 Behind the Scenes of Democracy <\/h2>\r\n

Secci\u00f3n Central \u2018Im\u00e1genes para la insurrecci\u00f3n\u2019<\/span><\/em><\/p>\r\n

Eszter Hajdu<\/span>
Documental | Hungr\u00eda, Portugal \u2013 2018- 85\u2019<\/p>\r\n

ficha<\/a><\/p>\r\n

<\/p><\/div>\r\n<\/div><\/div>\r\n

19:00<\/span>

<\/p>\r\n

\u2192 Hombre Negro Sin Identificar <\/a>

<\/p>\r\n

\r\n \"Matangi\/Maya\/M.I.A.\"

<\/p>\r\n

Hombre Negro Sin Identificar <\/h2>\r\n

Panorama<\/span><\/em><\/p>\r\n

Javier Extremera <\/span>
Documental| Espa\u00f1a \u2013 2016 \u2013 16\u2032<\/p>\r\n

ficha<\/a><\/p>\r\n

<\/p><\/div>\r\n<\/div>\r\n

\u2192 Did you wonder who fired the gun?<\/a>

<\/p>\r\n

\r\n \"Matangi\/Maya\/M.I.A.\"

<\/p>\r\n

Did you wonder who fired the gun?<\/h2>\r\n

Panorama<\/span><\/em><\/p>\r\n

Travis Wilkerson<\/span>
Documental | EE.UU. \u2013 2017 \u2013 90\u2032<\/p>\r\n

ficha<\/a><\/p>\r\n

<\/p><\/div>\r\n<\/div><\/div>\r\n

20:00<\/span>

<\/p>\r\n

\u2192 Shoot Me <\/a>

<\/p>\r\n

\r\n \"Matangi\/Maya\/M.I.A.\"

<\/p>\r\n

Shoot Me <\/h2>\r\n

Secci\u00f3n Central \u2018Im\u00e1genes para la insurrecci\u00f3n\u2019<\/span><\/em><\/p>\r\n

Narges Kalhor y Benedikt Schwarzer <\/span>
Documental| Alemania \u2013 2013 \u2013 30\u2032<\/p>\r\n

ficha<\/a><\/p>\r\n

<\/p><\/div>\r\n<\/div>\r\n

\u2192 A moon for my father<\/a>

<\/p>\r\n

\r\n \t \"Sand

<\/p>\r\n

A moon for my father<\/h2>\r\n

Secci\u00f3n Central \u2018Im\u00e1genes para la insurrecci\u00f3n\u2019<\/span> <\/em><\/p>\r\n

Mania Akbari<\/span>
Documental | Reino Unido, Ir\u00e1n \u2013 2018 \u2013 85\u2032<\/p>\r\n

ficha<\/a><\/p>\r\n

<\/p><\/div>\r\n<\/div><\/div>\r\n

21:00<\/span>

<\/p>\r\n

\u2192 Spell Reel<\/a>

<\/p>\r\n

\r\n \"filles-du-feu\"

<\/p>\r\n

Spell Reel<\/h2>\r\n

Secci\u00f3n \u201810 a\u00f1os \/10 Mujeres\/10 Ensayos\u2019<\/span><\/em><\/p>\r\n

Filipa C\u00e9sar<\/span>
Documental | Alemania, Portugal, Francia \u2013 2017 \u2013 97\u2019<\/p>\r\n

ficha<\/a><\/p>\r\n

<\/p><\/div>\r\n<\/div><\/div>\r\n<\/td>\r\n<\/tr>\r\n<\/tbody>\r\n<\/table>\r\n

\t \t\t<\/p>\r\n

Martes 17 de septiembre<\/h2>\r\n\r\n\r\n\r\n
Sede<\/td>\r\n15h<\/td>\r\n16h<\/td>\r\n17h<\/td>\r\n18h<\/td>\r\n19h<\/td>\r\n20h<\/td>\r\n21h<\/td>\r\n22h<\/td>\r\n<\/tr>\r\n<\/tbody>\r\n<\/table>\r\n\r\n\r\n\r\n\r\n\r\n\r\n
Centro Cultural General San Mart\u00edn<\/td>\r\n\r\n
\r\n\t \t <\/div>\r\n
15:00<\/span>

<\/p>\r\n

\u2192 Trajectory Drift<\/a>

<\/p>\r\n

\r\n \"Matangi\/Maya\/M.I.A.\"

<\/p>\r\n

Trajectory Drift<\/h2>\r\n

Panorama<\/span><\/em><\/p>\r\n

Iv\u00e1n Casti\u00f1eiras<\/span>
Ficci\u00f3n| Francia \u2013 2018 \u2013 24\u2019<\/p>\r\n

ficha<\/a><\/p>\r\n

<\/p><\/div>\r\n<\/div>\r\n

\u2192 Counting Tiles<\/a>

<\/p>\r\n

\r\n \"filles-du-feu\"

<\/p>\r\n

Counting Tiles<\/h2>\r\n

Panorama<\/span><\/em><\/p>\r\n

Cynthia Choucair<\/span>
Documental | L\u00edbano \u2013 2018 \u2013 87\u2019<\/p>\r\n

ficha<\/a><\/p>\r\n

<\/p><\/div>\r\n<\/div><\/div>\r\n

16:00<\/span>

<\/p>\r\n

\u2192 Here there is no earth <\/a>

<\/p>\r\n

\r\n \"Matangi\/Maya\/M.I.A.\"

<\/p>\r\n

Here there is no earth <\/h2>\r\n

Panorama<\/span><\/em><\/p>\r\n

Martin Dicicco<\/span>
Documental | EE.UU \u2013 2018 \u2013 6\u2032<\/p>\r\n

ficha<\/a><\/p>\r\n

<\/p><\/div>\r\n<\/div>\r\n

\u2192 Hombre Negro Sin Identificar <\/a>

<\/p>\r\n

\r\n \"Matangi\/Maya\/M.I.A.\"

<\/p>\r\n

Hombre Negro Sin Identificar <\/h2>\r\n

Panorama<\/span><\/em><\/p>\r\n

Javier Extremera <\/span>
Documental| Espa\u00f1a \u2013 2016 \u2013 16\u2032<\/p>\r\n

ficha<\/a><\/p>\r\n

<\/p><\/div>\r\n<\/div>\r\n

\u2192 La Ciudad Distante <\/a>

<\/p>\r\n

\r\n \"Matangi\/Maya\/M.I.A.\"

<\/p>\r\n

La Ciudad Distante <\/h2>\r\n

Panorama<\/span><\/em><\/p>\r\n

Paola Vela <\/span>
Documental | Per\u00fa \u2013 2018 \u2013 6\u2032<\/p>\r\n

ficha<\/a><\/p>\r\n

<\/p><\/div>\r\n<\/div>\r\n

\u2192 Mar\u00e9 (Mangrove) <\/a>

<\/p>\r\n

\r\n \"filles-du-feu\"

<\/p>\r\n

Mar\u00e9 (Mangrove) <\/h2>\r\n

Panorama<\/span><\/em><\/p>\r\n

Amaranta Cesar <\/span>
Documental| Brasil \u2013 2018 \u2013 6\u2032<\/p>\r\n

ficha<\/a><\/p>\r\n

<\/p><\/div>\r\n<\/div>\r\n

\u2192 To the living<\/a>

<\/p>\r\n

\r\n \"filles-du-feu\"

<\/p>\r\n

To the living<\/h2>\r\n

Panorama<\/span><\/em><\/p>\r\n

Pauline Fonsny<\/span>
Documental | B\u00e9lgica \u2013 2019 \u2013 27\u2032<\/p>\r\n

ficha<\/a><\/p>\r\n

<\/p><\/div>\r\n<\/div><\/div>\r\n

17:00<\/span>

<\/p>\r\n

\u2192 Tepantar<\/a>

<\/p>\r\n

\r\n \t \"Sand

<\/p>\r\n

Tepantar<\/h2>\r\n

Secci\u00f3n Central \u2018Im\u00e1genes para la insurrecci\u00f3n\u2019<\/span> <\/em><\/p>\r\n

Michelon Pierre<\/span>
Experimental | Francia \u2013 2017 \u2013 32\u2019<\/p>\r\n

ficha<\/a><\/p>\r\n

<\/p><\/div>\r\n<\/div>\r\n

\u2192 Shelter, Farewell to Eden<\/a>

<\/p>\r\n

\r\n \t \"Sand

<\/p>\r\n

Shelter, Farewell to Eden<\/h2>\r\n

Secci\u00f3n Central \u2018Im\u00e1genes para la insurrecci\u00f3n\u2019<\/span> <\/em><\/p>\r\n

Enrico Masi<\/span>
Documental | Italia, Francia \u2013 2019 \u2013 81\u2019<\/p>\r\n

ficha<\/a><\/p>\r\n

<\/p><\/div>\r\n<\/div>\r\n<\/div>\r\n

18:00<\/span>

<\/p>\r\n

\u2192 Hotel Explotaci\u00f3n: Las Kellys<\/a>

<\/p>\r\n

\r\n \"Matangi\/Maya\/M.I.A.\"

<\/p>\r\n

Hotel Explotaci\u00f3n: Las Kellys<\/h2>\r\n

Panorama<\/span><\/em><\/p>\r\n

Georgina Cisquella <\/span>
Documental | Espa\u00f1a \u2013 2018 \u2013 55\u2019
+ MESA Precarizaci\u00f3n laboral, modos de organizaci\u00f3n de la desobediencia feminista. <\/p>\r\n

ficha<\/a><\/p>\r\n

<\/p><\/div>\r\n<\/div>\r\n<\/div>\r\n<\/td>\r\n<\/tr>\r\n

Alianza Francesa<\/td>\r\n\r\n
\r\n\t \t <\/div>\r\n
17:50<\/span>

<\/p>\r\n

\u2192 Specialised Technique<\/a>

<\/p>\r\n

\r\n \"Les

<\/p>\r\n

Specialised Technique<\/h2>\r\n

Secci\u00f3n Central \u2018Im\u00e1genes para la insurrecci\u00f3n\u2019<\/span><\/em><\/p>\r\n

Onyeka Igwe<\/span>
Experimental |Reino Unido \u2013 2018 \u2013 6\u2019<\/p>\r\n

ficha<\/a><\/p>\r\n

<\/p><\/div>\r\n<\/div>\r\n

\u2192 Odyssey<\/a>

<\/p>\r\n

\r\n \"Les

<\/p>\r\n

Odyssey<\/h2>\r\n

Secci\u00f3n Central \u2018Im\u00e1genes para la insurrecci\u00f3n\u2019<\/span><\/em><\/p>\r\n

Sabine Groenewegen<\/span>
Documental | Francia, B\u00e9lgica, Holanda \u2013 2018 \u2013 71\u2019<\/p>\r\n

ficha<\/a><\/p>\r\n

<\/p><\/div>\r\n<\/div><\/div>\r\n

20:15<\/span>

<\/p>\r\n

\u2192 CHARLA SOBRE CINE IRAN\u00cd<\/a>

<\/p>\r\n

\r\n \"Nation

<\/p>\r\n

CHARLA SOBRE CINE IRAN\u00cd<\/h2>\r\n

Actividades especiales<\/span><\/em><\/p>\r\n

Mania Akbari<\/span>
Modera: Carolina Bracco<\/p>\r\n

ficha<\/a><\/p>\r\n

<\/p><\/div>\r\n<\/div><\/div>\r\n<\/td>\r\n<\/tr>\r\n

Espacio Cultural Biblioteca del Congreso de la Naci\u00f3n. Auditorio Leonardo Favio<\/td>\r\n\r\n
Museo Etnogr\u00e1fico<\/td>\r\n\r\n
\r\n\t \t <\/div>\r\n
16:30<\/span>

<\/p>\r\n

\u2192 Chaos<\/a>

<\/p>\r\n

\r\n \"Era

<\/p>\r\n

Chaos<\/h2>\r\n

Panorama<\/span><\/em><\/p>\r\n

Sara Fattahi<\/span>
Ficci\u00f3n | Austria, Siria, L\u00edbano, Qatar \u2013 95\u2032<\/p>\r\n

ficha<\/a><\/p>\r\n

<\/p><\/div>\r\n<\/div><\/div>\r\n<\/td>\r\n<\/tr>\r\n<\/tbody>\r\n<\/table>\r\n

\t \t\t<\/p>\r\n

Mi\u00e9rcoles 18 de Septiembre<\/h2>\r\n\r\n\r\n\r\n
Sede<\/td>\r\n15h<\/td>\r\n16h<\/td>\r\n17h<\/td>\r\n18h<\/td>\r\n19h<\/td>\r\n20h<\/td>\r\n21h<\/td>\r\n22h<\/td>\r\n<\/tr>\r\n<\/tbody>\r\n<\/table>\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n
Centro Cultural General San Mart\u00edn<\/td>\r\n\r\n
\r\n\t \t <\/div>\r\n
15:00<\/span>

<\/p>\r\n

\u2192 An\u00e1basis<\/a>

<\/p>\r\n

\r\n \t \"Sand

<\/p>\r\n

An\u00e1basis<\/h2>\r\n

Secci\u00f3n Central \u2018Im\u00e1genes para la insurrecci\u00f3n\u2019<\/span> <\/em><\/p>\r\n

Colectivo Los Ingr\u00e1vidos<\/span>
Experimental| M\u00e9xico \u2013 2019 \u2013 5\u2019<\/p>\r\n

ficha<\/a><\/p>\r\n

<\/p><\/div>\r\n<\/div>\r\n

\u2192 Libre<\/a>

<\/p>\r\n

\r\n \t \"Sand

<\/p>\r\n

Libre<\/h2>\r\n

Secci\u00f3n Central \u2018Im\u00e1genes para la insurrecci\u00f3n\u2019<\/span> <\/em><\/p>\r\n

Anna Barsan<\/span>
Documental | EE.UU \u2013 2018 \u2013 12\u2019<\/p>\r\n

ficha<\/a><\/p>\r\n

<\/p><\/div>\r\n<\/div>\r\n

\u2192 Los sue\u00f1os del castillo<\/a>

<\/p>\r\n

\r\n \t \"Sand

<\/p>\r\n

Los sue\u00f1os del castillo<\/h2>\r\n

Secci\u00f3n Central \u2018Im\u00e1genes para la insurrecci\u00f3n\u2019<\/span> <\/em><\/p>\r\n

Ren\u00e9 Ballesteros<\/span>
Documental| Chile, Francia \u2013 2018 \u2013 71\u2032<\/p>\r\n

ficha<\/a><\/p>\r\n

<\/p><\/div>\r\n<\/div><\/div>\r\n

16:00<\/span>

<\/p>\r\n

\u2192 Shoot Me <\/a>

<\/p>\r\n

\r\n \"Matangi\/Maya\/M.I.A.\"

<\/p>\r\n

Shoot Me <\/h2>\r\n

Secci\u00f3n Central \u2018Im\u00e1genes para la insurrecci\u00f3n\u2019<\/span><\/em><\/p>\r\n

Narges Kalhor y Benedikt Schwarzer <\/span>
Documental| Alemania \u2013 2013 \u2013 30\u2032<\/p>\r\n

ficha<\/a><\/p>\r\n

<\/p><\/div>\r\n<\/div>\r\n

\u2192 Hungary 2018 \u2013 Behind the Scenes of Democracy <\/a>

<\/p>\r\n

\r\n \"Matangi\/Maya\/M.I.A.\"

<\/p>\r\n

Hungary 2018 \u2013 Behind the Scenes of Democracy <\/h2>\r\n

Secci\u00f3n Central \u2018Im\u00e1genes para la insurrecci\u00f3n\u2019<\/span><\/em><\/p>\r\n

Eszter Hajdu<\/span>
Documental | Hungr\u00eda, Portugal \u2013 2018- 85\u2019<\/p>\r\n

ficha<\/a><\/p>\r\n

<\/p><\/div>\r\n<\/div><\/div>\r\n

17:00<\/span>

<\/p>\r\n

\u2192 Elena<\/a>

<\/p>\r\n

\r\n \"filles-du-feu\"

<\/p>\r\n

Elena<\/h2>\r\n

Secci\u00f3n \u201810 a\u00f1os \/10 Mujeres\/10 Ensayos\u2019<\/span><\/em><\/p>\r\n

Petra Costa<\/span>
Ensayo Documental | Brasil \u2013 2012 \u2013 82\u2032<\/p>\r\n

ficha<\/a><\/p>\r\n

<\/p><\/div>\r\n<\/div><\/div>\r\n

18:00<\/span>

<\/p>\r\n

\u2192 En Route<\/a>

<\/p>\r\n

\r\n \"Era

<\/p>\r\n

En Route<\/h2>\r\n

Panorama<\/span><\/em><\/p>\r\n

Margherita Pisano, Gaetano Crivaro<\/span>
Documental |Italia, Inglaterra \u2013 2018 \u2013 17\u2032<\/p>\r\n

ficha<\/a><\/p>\r\n

<\/p><\/div>\r\n<\/div>\r\n

\u2192 Citt\u00e0 Giardino<\/a>

<\/p>\r\n

\r\n \"Matangi\/Maya\/M.I.A.\"

<\/p>\r\n

Citt\u00e0 Giardino<\/h2>\r\n

Panorama<\/span><\/em><\/p>\r\n

Marco Piccarreda<\/span>
Documental |Italia \u2013 2018 \u2013 55\u2032<\/p>\r\n

ficha<\/a><\/p>\r\n

<\/p><\/div>\r\n<\/div><\/div>\r\n

19:00<\/span>

<\/p>\r\n

\u2192 MASTERCLASS MANIA AKBARI
\u2018Cuerpo pol\u00edtico: Cuerpo y creaci\u00f3n art\u00edstica\u2019 <\/a>

<\/p>\r\n

\r\n \t \"Sand

<\/p>\r\n

\u2018Cuerpo pol\u00edtico: Cuerpo y creaci\u00f3n art\u00edstica\u2019<\/h2>\r\n

Actividades especiales<\/span> <\/em><\/p>\r\n

Mania Akbari<\/span><\/p>\r\n

ficha<\/a><\/p>\r\n

<\/p><\/div>\r\n<\/div>\r\n

\u2192 A moon for my father<\/a>

<\/p>\r\n

\r\n \t \"Sand

<\/p>\r\n

A moon for my father<\/h2>\r\n

Secci\u00f3n Central \u2018Im\u00e1genes para la insurrecci\u00f3n\u2019<\/span> <\/em><\/p>\r\n

Mania Akbari<\/span>
Documental | Reino Unido, Ir\u00e1n \u2013 2018 \u2013 85\u2032<\/p>\r\n

ficha<\/a><\/p>\r\n

<\/p><\/div>\r\n<\/div>\r\n<\/div>\r\n

22:00<\/span>

<\/p>\r\n

\u2192 History and Memory: for Akiko and Takashige<\/a>

<\/p>\r\n

\r\n \"Ma\u00b4Ohi

<\/p>\r\n

History and Memory: for Akiko and Takashige<\/h2>\r\n

Secci\u00f3n \u201810 a\u00f1os \/10 Mujeres\/10 Ensayos\u2019<\/span><\/em><\/p>\r\n

Rea Tajiri<\/span>
Ensayo Documental | EE.UU. \u2013 1991 \u2013 32\u2032<\/p>\r\n

ficha<\/a><\/p>\r\n

<\/p><\/div>\r\n<\/div>\r\n

\u2192 Reassemblage<\/a>

<\/p>\r\n

\r\n \"Ma\u00b4Ohi

<\/p>\r\n

Reassemblage<\/h2>\r\n

Secci\u00f3n \u201810 a\u00f1os \/10 Mujeres\/10 Ensayos\u2019<\/span><\/em><\/p>\r\n

Trinh T. Minh-ha<\/span>
Documental | EE.UU \u2013 1982 \u2013 40\u2019
Presentada por la curadora Agustina Comedi<\/p>\r\n

ficha<\/a><\/p>\r\n

<\/p><\/div>\r\n<\/div><\/div>\r\n<\/td>\r\n<\/tr>\r\n

Museo Etnogr\u00e1fico<\/td>\r\n\r\n
Alianza Francesa<\/td>\r\n\r\n
\r\n\t \t <\/div>\r\n
17:50<\/span>

<\/p>\r\n

\u2192 Les enfants de la guerre<\/a>

<\/p>\r\n

\r\n \"A

<\/p>\r\n

Les enfants de la guerre<\/h2>\r\n

Retrospectiva Jocelyne Saab<\/span><\/em><\/p>\r\n

Jocelyne Saab <\/span>
Documental | L\u00edbano \u2013 1976 \u2013 10\u2032<\/p>\r\n

ficha<\/a><\/p>\r\n

<\/p><\/div>\r\n<\/div>\r\n

\u2192 Les Nouveaux crois\u00e9s d\u2019Orient (ou Portraitd\u2019un mercenaire fran\u00e7ais)<\/a>

<\/p>\r\n

\r\n \"A

<\/p>\r\n

Les Nouveaux crois\u00e9s d\u2019Orient (ou Portraitd\u2019un mercenaire fran\u00e7ais)<\/h2>\r\n

Retrospectiva Jocelyne Saab<\/span><\/em><\/p>\r\n

Jocelyne Saab <\/span>
Documental | L\u00edbano \u2013 1975 \u2013 10\u2032<\/p>\r\n

ficha<\/a><\/p>\r\n

<\/p><\/div>\r\n<\/div>\r\n

\u2192 Le Liban dans la tourmente<\/a>

<\/p>\r\n

\r\n \"A

<\/p>\r\n

Le Liban dans la tourmente<\/h2>\r\n

Retrospectiva Jocelyne Saab
Presentada por la curadora Mathilde Rouxel
\r\n
Q&A Mathilde Rouxel
\r\n<\/span><\/em><\/p>\r\n

Jocelyne Saab <\/span>
Documental | L\u00edbano \u2013 1975 \u2013 75\u2032<\/p>\r\n

ficha<\/a><\/p>\r\n

<\/p><\/div>\r\n<\/div><\/div>\r\n

20:15<\/span>

<\/p>\r\n

\u2192 Le Front du Refus (ou les Commando-suicides)<\/a>

<\/p>\r\n

\r\n \"A

<\/p>\r\n

Le Front du Refus (ou les Commando-suicides)<\/h2>\r\n

Retrospectiva Jocelyne Saab<\/span><\/em><\/p>\r\n

Jocelyne Saab <\/span>
Documental | Francia \u2013 1975 \u2013 12\u2032<\/p>\r\n

ficha<\/a><\/p>\r\n

<\/p><\/div>\r\n<\/div>\r\n

\u2192 Sud-Liban: Histoired\u2019un village assi\u00e9g\u00e9<\/a>

<\/p>\r\n

\r\n \"A

<\/p>\r\n

Sud-Liban: Histoired\u2019un village assi\u00e9g\u00e9<\/h2>\r\n

Retrospectiva Jocelyne Saab<\/span><\/em><\/p>\r\n

Jocelyne Saab <\/span>\r\n<\/p>

ficha<\/a><\/p>\r\n

<\/p><\/div>\r\n<\/div>\r\n

\u2192 Iran, l\u2019Utopie en marche<\/a>

<\/p>\r\n

\r\n \"A

<\/p>\r\n

Iran, l\u2019Utopie en marche<\/h2>\r\n

Retrospectiva Jocelyne Saab
Presentada por la curadora Mathilde Rouxel
\r\n
Q&A Mathilde Rouxel
\r\n<\/span><\/em><\/p>\r\n

Jocelyne Saab <\/span>
Ficci\u00f3n | Egipto, Francia \u2013 1980 \u2013 52\u2032<\/p>\r\n

ficha<\/a><\/p>\r\n

<\/p><\/div>\r\n<\/div><\/div>\r\n<\/td>\r\n<\/tr>\r\n

Espacio Cultural Biblioteca del Congreso de la Naci\u00f3n. Auditorio Leonardo Favio<\/td>\r\n\r\n
Club Cultural Matienzo<\/td>\r\n\r\n
\r\n\t \t <\/div>\r\n
19:15<\/span>

<\/p>\r\n

\u2192 INAUGURACI\u00d3N: \u2018[Post] Colonial Bodies II.\u2019 <\/a>

<\/p>\r\n

\r\n \t \"CHARLA

<\/p>\r\n

INAUGURACI\u00d3N: \u2018[Post] Colonial Bodies II.\u2019 <\/h2>\r\n

SECCI\u00d3N NOCHES EXTRA\u00d1AS
\u2018CUERPO: FUTURO Y TECNOLOG\u00cdA\u2019<\/span> <\/em><\/p>\r\n

Belinda Kazeem-Kaminski (AUS) \/\/ JennNkiru (UK) \/\/ OnyekaIgwe (UK) \/\/ Giverny I (N\u00e9gresseImp\u00e9riale) (USA)
+ PROYECCI\u00d3N: Specialised Technique (6\u2019) + Odyssey (71\u2019)<\/span><\/p>\r\n

ficha<\/a><\/p>\r\n

<\/p><\/div>\r\n<\/div><\/div>\r\n<\/td>\r\n<\/tr>\r\n<\/tbody>\r\n<\/table>\r\n

\t \t\t<\/p>\r\n

Jueves 19 de septiembre<\/h2>\r\n\r\n\r\n\r\n
Sede<\/td>\r\n15h<\/td>\r\n16h<\/td>\r\n17h<\/td>\r\n18h<\/td>\r\n19h<\/td>\r\n20h<\/td>\r\n21h<\/td>\r\n22h<\/td>\r\n<\/tr>\r\n<\/tbody>\r\n<\/table>\r\n\r\n\r\n\r\n\r\n\r\n\r\n
Centro Cultural General San Mart\u00edn<\/td>\r\n\r\n
\r\n\t \t <\/div>\r\n
15:00<\/span>

<\/p>\r\n

\u2192 Conteis so\u00e0 que les que dizem que fomos derrotados <\/a>

<\/p>\r\n

\r\n \"Les

<\/p>\r\n

Conteis so\u00e0 que les que dizem que fomos derrotados <\/h2>\r\n

Secci\u00f3n \u2018Brasil: Persiste, Resiste!\u2019<\/span><\/em><\/p>\r\n

AianoBemfica, Camila Bastos, Cris Ara\u00fajo, Pedro Maia de Brito<\/span>
Documental | Brasil \u2013 2018 \u2013 23\u2019<\/p>\r\n

ficha<\/a><\/p>\r\n

<\/p><\/div>\r\n<\/div>\r\n

\u2192 Azougu\u00e9 Nazar\u00e9<\/a>

<\/p>\r\n

\r\n \"Les

<\/p>\r\n

Azougu\u00e9 Nazar\u00e9<\/h2>\r\n

Secci\u00f3n \u2018Brasil: Persiste, Resiste!\u2019<\/span><\/em><\/p>\r\n

Tiago Melo<\/span>
Ficci\u00f3n |Brasil \u2013 2018 \u2013 80\u2019<\/p>\r\n

ficha<\/a><\/p>\r\n

<\/p><\/div>\r\n<\/div><\/div>\r\n

16:00<\/span>

<\/p>\r\n

\u2192 Les coursiers de la R\u00e9publique<\/a>

<\/p>\r\n

\r\n \"Like

<\/p>\r\n

Les coursiers de la R\u00e9publique<\/h2>\r\n

Panorama<\/span><\/em> <\/p>\r\n

Badredine Haouari<\/span>
Documental| Francia \u2013 2018 \u2013 33\u2032\r\n<\/p>\r\n

ficha<\/a><\/p>\r\n

<\/p><\/div>\r\n<\/div>\r\n

\u2192 Ash and Ember<\/a>

<\/p>\r\n

\r\n \"Burka

<\/p>\r\n

Ash and Ember<\/h2>\r\n

Panorama<\/span><\/em><\/p>\r\n

Manon Ott<\/span>
Documental |Francia \u2013 2018 \u2013 72\u2032<\/p>\r\n

ficha<\/a><\/p>\r\n

<\/p><\/div>\r\n<\/div><\/div>\r\n

17:00<\/span>

<\/p>\r\n

\u2192 Here there is no earth <\/a>

<\/p>\r\n

\r\n \"Matangi\/Maya\/M.I.A.\"

<\/p>\r\n

Here there is no earth <\/h2>\r\n

Panorama<\/span><\/em><\/p>\r\n

Martin Dicicco<\/span>
Documental | EE.UU \u2013 2018 \u2013 6\u2032<\/p>\r\n

ficha<\/a><\/p>\r\n

<\/p><\/div>\r\n<\/div>\r\n

\u2192 Extin\u00e7ao <\/a>

<\/p>\r\n

\r\n \t \"Sand

<\/p>\r\n

Extin\u00e7ao<\/h2>\r\n

Panorama<\/span> <\/em><\/p>\r\n

Salom\u00e9 Lamas <\/span>
Documental| Portugal, Alemania \u2013 2018 \u2013 80\u2032<\/p>\r\n

ficha<\/a><\/p>\r\n

<\/p><\/div>\r\n<\/div><\/div>\r\n

18:00<\/span>

<\/p>\r\n

\u2192 Volverse Aire<\/a>

<\/p>\r\n

\r\n \"filles-du-feu\"

<\/p>\r\n

Volverse Aire<\/h2>\r\n

Panorama<\/span><\/em><\/p>\r\n

Cristina Motta <\/span>
Documental| Espa\u00f1a \u2013 2015 \u2013 15\u2032<\/p>\r\n

ficha<\/a><\/p>\r\n

<\/p><\/div>\r\n<\/div>\r\n

\u2192 La Libertad del Diablo <\/a>

<\/p>\r\n

\r\n \"filles-du-feu\"

<\/p>\r\n

La Libertad del Diablo s<\/h2>\r\n

Panorama<\/span><\/em><\/p>\r\n

Everardo Gonz\u00e1lez<\/span>
Documental | M\u00e9xico \u2013 2017 \u2013 74\u2032<\/p>\r\n

ficha<\/a><\/p>\r\n

<\/p><\/div>\r\n<\/div><\/div>\r\n

19:00<\/span>

<\/p>\r\n

\u2192 Cinderelinge<\/a>

<\/p>\r\n

\r\n \t \"Sand

<\/p>\r\n

Cinderelinge<\/h2>\r\n

Panorama<\/span> <\/em><\/p>\r\n

Narges Kalhor<\/span>
Documental |Iran, Alemania \u2013 2014 \u2013 4\u2032<\/p>\r\n

ficha<\/a><\/p>\r\n

<\/p><\/div>\r\n<\/div>\r\n

\u2192 In the name of Scheherazade or the first beer garden in Tehran <\/a>

<\/p>\r\n

\r\n \t \"Sand

<\/p>\r\n

In the name of Scheherazade or the first beer garden in Tehran <\/h2>\r\n

Panorama<\/span> <\/em><\/p>\r\n

Narges Kalhor<\/span>
Documental |Ir\u00e1n, Alemania \u2013 2019 \u2013 75\u2032<\/p>\r\n

ficha<\/a><\/p>\r\n

<\/p><\/div>\r\n<\/div><\/div>\r\n

20:00<\/span>

<\/p>\r\n

\u2192 STA! <\/a>

<\/p>\r\n

\r\n \t \"Sand

<\/p>\r\n

STA! <\/h2>\r\n

Secci\u00f3n Central \u2018Im\u00e1genes para la insurrecci\u00f3n\u2019<\/span> <\/em><\/p>\r\n

Pedra Costa\t<\/span>
Documental | Alemania \u2013 2017 \u2013 6\u2019<\/p>\r\n

ficha<\/a><\/p>\r\n

<\/p><\/div>\r\n<\/div>\r\n

\u2192 Prisoner of Society<\/a>

<\/p>\r\n

\r\n \t \"Sand

<\/p>\r\n

Prisoner of Society<\/h2>\r\n

Secci\u00f3n Central \u2018Im\u00e1genes para la insurrecci\u00f3n\u2019<\/span> <\/em><\/p>\r\n

Rati Tsiteladze<\/span>
Documental | Georgia \u2013 2018 \u2013 18\u2019<\/p>\r\n

ficha<\/a><\/p>\r\n

<\/p><\/div>\r\n<\/div>\r\n

\u2192 Cassandro the exotic<\/a>

<\/p>\r\n

\r\n \t \"Sand

<\/p>\r\n

Cassandro the exotic<\/h2>\r\n

Secci\u00f3n Central \u2018Im\u00e1genes para la insurrecci\u00f3n\u2019<\/span> <\/em><\/p>\r\n

Marie Losier<\/span>
Documental | Francia \u2013 2018 \u2013 73\u2019<\/p>\r\n

ficha<\/a><\/p>\r\n

<\/p><\/div>\r\n<\/div>\r\n<\/div>\r\n

21:00<\/span>

<\/p>\r\n

\u2192 La Deriva <\/a>

<\/p>\r\n

\r\n\"Rey\"

<\/p>\r\n

La Deriva <\/h2>\r\n

Panorama<\/span><\/em><\/p>\r\n

Iv\u00e1n Moscovich <\/span>
Documental | Argentina \u2013 2019 \u2013 13\u2032<\/p>\r\n

ficha<\/a><\/p>\r\n<\/div>\r\n<\/div>\r\n

\u2192 Hotel Explotaci\u00f3n: Las Kellys<\/a>

<\/p>\r\n

\r\n \"Matangi\/Maya\/M.I.A.\"

<\/p>\r\n

Hotel Explotaci\u00f3n: Las Kellys<\/h2>\r\n

Panorama<\/span><\/em><\/p>\r\n

Georgina Cisquella <\/span>
Documental | Espa\u00f1a \u2013 2018 \u2013 55\u2019
+ MESA Precarizaci\u00f3n laboral, modos de organizaci\u00f3n de la desobediencia feminista. <\/p>\r\n

ficha<\/a><\/p>\r\n

<\/p><\/div>\r\n<\/div>\r\n<\/div>\r\n

22:00<\/span>\t \t \t\t\t

<\/p>\r\n

\u2192 Still Recording<\/a>

<\/p>\r\n

\r\n \t \"Vazio

<\/p>\r\n

Still Recording<\/h2>\r\n

Secci\u00f3n Central \u2018Im\u00e1genes para la insurrecci\u00f3n\u2019<\/span> <\/em><\/p>\r\n

Saeed Al Batal, Ghiath Ayoub <\/span>
Documental| Francia, Alemania, L\u00edbano Qatar, Siria \u2013 2018 \u2013 123\u2032<\/p>\r\n

ficha<\/a><\/p>\r\n

<\/p><\/div>\r\n<\/div>\r\n<\/div>\r\n<\/td>\r\n<\/tr>\r\n

Museo Etnogr\u00e1fico<\/td>\r\n\r\n
Alianza Francesa<\/td>\r\n\r\n
\r\n\t \t <\/div>\r\n
17:50<\/span>

<\/p>\r\n

\u2192 Noir Blue \u2013 Deslocamentos de umadan\u00e7a<\/a>

<\/p>\r\n

\r\n \t \"Sand

<\/p>\r\n

Noir Blue \u2013 Deslocamentos de umadan\u00e7a<\/h2>\r\n

Secci\u00f3n Central \u2018Im\u00e1genes para la insurrecci\u00f3n\u2019<\/span> <\/em><\/p>\r\n

Ana Pi<\/span>
Documental | Brasil, Francia \u2013 2018 \u2013 27\u2019<\/p>\r\n

ficha<\/a><\/p>\r\n

<\/p><\/div>\r\n<\/div>\r\n

\u2192 Chez Jolie Coiffure<\/a>

<\/p>\r\n

\r\n \t \"Sand

<\/p>\r\n

Chez Jolie Coiffure<\/h2>\r\n

Secci\u00f3n Central \u2018Im\u00e1genes para la insurrecci\u00f3n\u2019<\/span> <\/em><\/p>\r\n

Rosine Mfetgo Mbakam<\/span>
Documental | B\u00e9lgica, Camer\u00fan \u2013 2018 \u2013 70\u2019<\/p>\r\n

ficha<\/a><\/p>\r\n

<\/p><\/div>\r\n<\/div>\r\n<\/div>\r\n

20:15<\/span>

<\/p>\r\n

\u2192 Behemoth, Or The Game Of God<\/a>

<\/p>\r\n

\r\n \t \"Vazio

<\/p>\r\n

Behemoth, Or The Game Of God<\/h2>\r\n

Secci\u00f3n Central \u2018Im\u00e1genes para la insurrecci\u00f3n\u2019<\/span> <\/em><\/p>\r\n

Lemohang Jeremiah Mosese<\/span>
Documental | Lesoto -2016 \u2013 13\u2019<\/p>\r\n

ficha<\/a><\/p>\r\n

<\/p><\/div>\r\n<\/div>\r\n

\u2192 Mother, I Am Suffocating. This Is My Last Film About You<\/a>

<\/p>\r\n

\r\n \t \"Estado

<\/p>\r\n

Mother, I Am Suffocating. This Is My Last Film About You<\/h2>\r\n

Secci\u00f3n Central \u2018Im\u00e1genes para la insurrecci\u00f3n\u2019<\/span> <\/em><\/p>\r\n

Lemohang Jeremiah Mosese<\/span>
Documental | Lesoto, Qatar -2019 \u2013 76\u2019<\/p>\r\n

ficha<\/a><\/p>\r\n

<\/p><\/div>\r\n<\/div><\/div>\r\n<\/td>\r\n<\/tr>\r\n

Espacio Cultural Biblioteca del Congreso de la Naci\u00f3n. Auditorio Leonardo Favio<\/td>\r\n\r\n
Casa Nacional del Bicentenario<\/td>\r\n\r\n
Casa Sof\u00eda<\/td>\r\n\r\n
\r\n\t \t <\/div>\r\n
21:00<\/span>

<\/p>\r\n

\u2192 La noche
CINEMIGRANTE + HIEDRAH CLUB DE BAILE<\/a>

<\/p>\r\n

\r\n \t \"[Pe(l\u00ed)Performances]

<\/p>\r\n

La noche<\/h2>\r\n

Secci\u00f3n Noches Extra\u00f1as
Performance musical con Hiedrah Club de Baile<\/span> <\/em><\/p>\r\n

EDGARDO CASTRO<\/span>
Ficci\u00f3n | Argentina \u2013 2016 \u2013 135\u2032<\/p>\r\n

ficha<\/a><\/p>\r\n

<\/p><\/div>\r\n<\/div><\/div>\r\n<\/td>\r\n<\/tr>\r\n<\/tbody>\r\n<\/table>\r\n

\t \t\t<\/p>\r\n

Viernes 20 de septiembre<\/h2>\r\n\r\n\r\n\r\n
Sede<\/td>\r\n15h<\/td>\r\n16h<\/td>\r\n17h<\/td>\r\n18h<\/td>\r\n19h<\/td>\r\n20h<\/td>\r\n21h<\/td>\r\n22h<\/td>\r\n<\/tr>\r\n<\/tbody>\r\n<\/table>\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n
Centro Cultural General San Mart\u00edn<\/td>\r\n\r\n
\r\n\t \t <\/div>\r\n
15:00<\/span>

<\/p>\r\n

\u2192 Elena<\/a>

<\/p>\r\n

\r\n \"filles-du-feu\"

<\/p>\r\n

Elena<\/h2>\r\n

Secci\u00f3n \u201810 a\u00f1os \/10 Mujeres\/10 Ensayos\u2019<\/span><\/em><\/p>\r\n

Petra Costa<\/span>
Ensayo Documental | Brasil \u2013 2012 \u2013 82\u2032<\/p>\r\n

ficha<\/a><\/p>\r\n

<\/p><\/div>\r\n<\/div><\/div>\r\n

16:00<\/span>

<\/p>\r\n

\u2192 Merodeo<\/a>

<\/p>\r\n

\r\n \"filles-du-feu\"

<\/p>\r\n

Merodeo<\/h2>\r\n

Panorama<\/span><\/em><\/p>\r\n

Fernando Restelli<\/span>
Documental | Argentina \u2013 2016 \u2013 14\u2032<\/p>\r\n

ficha<\/a><\/p>\r\n

<\/p><\/div>\r\n<\/div>\r\n

\u2192 Faire-part<\/a>

<\/p>\r\n

\r\n \"filles-du-feu\"

<\/p>\r\n

Faire-part<\/h2>\r\n

Panorama<\/span><\/em><\/p>\r\n

Anne Reijniers, NizarSaleh, Paul Shemisi, Rob Jacobs<\/span>
Documental |B\u00e9lgica, RDC Congo \u2013 2018 \u2013 58\u2019<\/p>\r\n

ficha<\/a><\/p>\r\n

<\/p><\/div>\r\n<\/div><\/div>\r\n

17:00<\/span>

<\/p>\r\n

\u2192 Hombre Negro Sin Identificar <\/a>

<\/p>\r\n

\r\n \"Matangi\/Maya\/M.I.A.\"

<\/p>\r\n

Hombre Negro Sin Identificar <\/h2>\r\n

Panorama<\/span><\/em><\/p>\r\n

Javier Extremera <\/span>
Documental| Espa\u00f1a \u2013 2016 \u2013 16\u2032<\/p>\r\n

ficha<\/a><\/p>\r\n

<\/p><\/div>\r\n<\/div>\r\n

\u2192 Did you wonder who fired the gun?<\/a>

<\/p>\r\n

\r\n \"Matangi\/Maya\/M.I.A.\"

<\/p>\r\n

Did you wonder who fired the gun?<\/h2>\r\n

Panorama<\/span><\/em><\/p>\r\n

Travis Wilkerson<\/span>
Documental | EE.UU. \u2013 2017 \u2013 90\u2032<\/p>\r\n

ficha<\/a><\/p>\r\n

<\/p><\/div>\r\n<\/div><\/div>\r\n

18:00<\/span>

<\/p>\r\n

\u2192 November<\/a>

<\/p>\r\n

\r\n \"Letters

<\/p>\r\n

November<\/h2>\r\n

Secci\u00f3n \u201810 A\u00f1os\/10 Mujeres\/10 Ensayos\u2019<\/span><\/em><\/p>\r\n

Hito Steyerl<\/span>
Ensayo Documental | Alemania \u2013 2004 \u2013 25\u2032<\/p>\r\n

ficha<\/a><\/p>\r\n

<\/p><\/div>\r\n<\/div>\r\n

\u2192 Beyrouth, ma ville<\/a>

<\/p>\r\n

\r\n \"A

<\/p>\r\n

Beyrouth, ma ville<\/h2>\r\n

Secci\u00f3n \u201810 A\u00f1os\/10 Mujeres\/10 Ensayos\u2019
\r\n<\/span><\/em><\/p>\r\n

Jocelyne Saab <\/span>
Documental | L\u00edbano \u2013 1986 \u2013 38\u2032<\/p>\r\n

ficha<\/a><\/p>\r\n

<\/p><\/div>\r\n<\/div><\/div>\r\n

20:00<\/span>

<\/p>\r\n

\u2192 Passing Drama<\/a>

<\/p>\r\n

\r\n \"filles-du-feu\"

<\/p>\r\n

Passing Drama<\/h2>\r\n

Secci\u00f3n \u201810 a\u00f1os \/10 Mujeres\/10 Ensayos\u2019<\/span><\/em><\/p>\r\n

\u00c1ngela Melitopoulos<\/span>
Ensayo Documental | Alemania \u2013 1999 \u2013 66\u2032<\/p>\r\n

ficha<\/a><\/p>\r\n

<\/p><\/div>\r\n<\/div><\/div>\r\n

22:00<\/span>

<\/p>\r\n

\u2192 Chaos<\/a>

<\/p>\r\n

\r\n \"Era

<\/p>\r\n

Chaos<\/h2>\r\n

Panorama<\/span><\/em><\/p>\r\n

Sara Fattahi<\/span>
Ficci\u00f3n | Austria, Siria, L\u00edbano, Qatar \u2013 95\u2032<\/p>\r\n

ficha<\/a><\/p>\r\n

<\/p><\/div>\r\n<\/div><\/div>\r\n

19:00<\/span>

<\/p>\r\n

\u2192 Mesa: Cuerpo como territorio. Tres autoras en desplazamiento. Un di\u00e1logo entre Mania Akbari (Ir\u00e1n), Sara Fattahi (Siria) y Narges Kalhor (Siria)<\/a>

<\/p>\r\n

\r\n \"Era

<\/p>\r\n

Mesa: Cuerpo como territorio. Tres autoras en desplazamiento. Un di\u00e1logo entre Mania Akbari (Ir\u00e1n), Sara Fattahi (Siria) y Narges Kalhor (Siria)<\/h2>\r\n

Actividades especiales<\/span><\/em><\/p>\r\n

Mania Akbari (Ir\u00e1n), Sara Fattahi (Siria) y Narges Kalhor (Siria) <\/span><\/p>\r\n

ficha<\/a><\/p>\r\n

<\/p><\/div>\r\n<\/div><\/div>\r\n<\/td>\r\n\r\n<\/tr>\r\n

Alianza Francesa<\/td>\r\n\r\n
\r\n\t \t <\/div>\r\n
17:50<\/span>

<\/p>\r\n

\u2192 Les Coptes: La Croix des Pharaons<\/a>

<\/p>\r\n

\r\n \"A

<\/p>\r\n

Les Coptes: La Croix des Pharaons<\/h2>\r\n

Retrospectiva Jocelyne Saab<\/span><\/em><\/p>\r\n

Jocelyne Saab <\/span>
Documental| Francia, Marruecos, Algeria \u2013 1986 \u2013 16\u2032<\/p>\r\n

ficha<\/a><\/p>\r\n

<\/p><\/div>\r\n<\/div>\r\n

\u2192 Le Sahara n\u2019est pas a vendre<\/a>

<\/p>\r\n

\r\n \"A

<\/p>\r\n

Sud-Liban: Histoired\u2019un village assi\u00e9g\u00e9<\/h2>\r\n

Retrospectiva Jocelyne Saab<\/span><\/em><\/p>\r\n

Jocelyne Saab <\/span>
Documental | Francia, Marruecos, Algeria \u2013 1975 \u2013 75\u2032<\/p>\r\n

ficha<\/a><\/p>\r\n

<\/p><\/div>\r\n<\/div><\/div>\r\n

20:15<\/span>

<\/p>\r\n

\u2192 Cinderelinge<\/a>

<\/p>\r\n

\r\n \t \"Sand

<\/p>\r\n

Cinderelinge<\/h2>\r\n

Panorama<\/span> <\/em><\/p>\r\n

Narges Kalhor<\/span>
Documental |Iran, Alemania \u2013 2014 \u2013 4\u2032<\/p>\r\n

ficha<\/a><\/p>\r\n

<\/p><\/div>\r\n<\/div>\r\n

\u2192 In the name of Scheherazade or the first beer garden in Tehran <\/a>

<\/p>\r\n

\r\n \t \"Sand

<\/p>\r\n

In the name of Scheherazade or the first beer garden in Tehran <\/h2>\r\n

Panorama<\/span> <\/em><\/p>\r\n

Narges Kalhor<\/span>
Documental |Ir\u00e1n, Alemania \u2013 2019 \u2013 75\u2032<\/p>\r\n

ficha<\/a><\/p>\r\n

<\/p><\/div>\r\n<\/div><\/div>\r\n<\/td>\r\n\r\n<\/tr>\r\n

Museo Etnogr\u00e1fico<\/td>\r\n\r\n
\r\n\t \t <\/div>\r\n
17:00<\/span>

<\/p>\r\n

\u2192 An\u00e1basis<\/a>

<\/p>\r\n

\r\n \t \"Sand

<\/p>\r\n

An\u00e1basis<\/h2>\r\n

Secci\u00f3n Central \u2018Im\u00e1genes para la insurrecci\u00f3n\u2019<\/span> <\/em><\/p>\r\n

Colectivo Los Ingr\u00e1vidos<\/span>
Experimental| M\u00e9xico \u2013 2019 \u2013 5\u2019<\/p>\r\n

ficha<\/a><\/p>\r\n

<\/p><\/div>\r\n<\/div>\r\n

\u2192 It\u2019s going to be beautiful<\/a>

<\/p>\r\n

\r\n \"AfroPromo

<\/p>\r\n

It\u2019s going to be beautiful<\/h2>\r\n

Secci\u00f3n Central \u2018Im\u00e1genes para la insurrecci\u00f3n\u2019<\/span><\/em><\/p>\r\n

Luis Guti\u00e9rrez Arias y John Henry Theisen<\/span>
Documental Experimental |M\u00e9xico, EE.UU \u2013 2018 \u2013 8\u2019<\/p>\r\n

ficha<\/a><\/p>\r\n

<\/p><\/div>\r\n<\/div>\r\n

\u2192 Panoptic<\/a>

<\/p>\r\n

\r\n \"Panoptic\"

<\/p>\r\n

Panoptic<\/h2>\r\n

Secci\u00f3n Central \u2018Im\u00e1genes para la insurrecci\u00f3n\u2019<\/span><\/em><\/p>\r\n

Rana Eid<\/span>
Documental | L\u00edbano \u2013 2017 \u2013 69\u2032<\/p>\r\n

ficha<\/a><\/p>\r\n

<\/p><\/div>\r\n<\/div><\/div>\r\n<\/td>\r\n\r\n<\/tr>\r\n

Casa Nacional del Bicentenario<\/td>\r\n\r\n
Club Cultural Matienzo<\/td>\r\n\r\n
\r\n\t \t <\/div>\r\n
20:00<\/span>

<\/p>\r\n

\u2192 Baixo centro<\/a>

<\/p>\r\n

\r\n \t \"[Pe(l\u00ed)Performances]

<\/p>\r\n

Baixo centro <\/h2>\r\n

Secci\u00f3n Noches Extra\u00f1as<\/span> <\/em><\/p>\r\n

Ewerton B\u00e9lico & Samuel Marotta <\/span>
Ficci\u00f3n | Brasil \u2013 2018 \u2013 80\u2032<\/p>\r\n

ficha<\/a><\/p>\r\n

<\/p><\/div>\r\n<\/div><\/div>\r\n<\/td>\r\n\r\n<\/tr>\r\n<\/tbody>\r\n<\/table>\r\n

\t \t\t<\/p>\r\n

S\u00e1bado 21 de septiembre<\/h2>\r\n\r\n\r\n\r\n
Sede<\/td>\r\n14h<\/td>\r\n15h<\/td>\r\n16h<\/td>\r\n17h<\/td>\r\n18h<\/td>\r\n19h<\/td>\r\n20h<\/td>\r\n21h<\/td>\r\n22h<\/td>\r\n<\/tr>\r\n<\/tbody>\r\n<\/table>\r\n\r\n\r\n\r\n\r\n\r\n
Centro Cultural General San Mart\u00edn<\/td>\r\n\r\n
\r\n\t \t <\/div>\r\n
14:00<\/span>

<\/p>\r\n

\u2192 Ustia <\/a>

<\/p>\r\n

\r\n\"Rey\"

<\/p>\r\n

Ustia <\/h2>\r\n

Panorama<\/span><\/em><\/p>\r\n

Rodrigo Moreno <\/span>
Documental | Argentina \u2013 2018 \u2013 5\u2032<\/p>\r\n

ficha<\/a><\/p>\r\n<\/div>\r\n<\/div>\r\n

\u2192 La Deriva <\/a>

<\/p>\r\n

\r\n\"Rey\"

<\/p>\r\n

La Deriva <\/h2>\r\n

Panorama<\/span><\/em><\/p>\r\n

Iv\u00e1n Moscovich <\/span>
Documental | Argentina \u2013 2019 \u2013 13\u2032<\/p>\r\n

ficha<\/a><\/p>\r\n<\/div>\r\n<\/div>\r\n

\u2192 Volverse Aire<\/a>

<\/p>\r\n

\r\n \"filles-du-feu\"

<\/p>\r\n

Volverse Aire<\/h2>\r\n

Panorama<\/span><\/em><\/p>\r\n

Cristina Motta <\/span>
Documental| Espa\u00f1a \u2013 2015 \u2013 15\u2032<\/p>\r\n

ficha<\/a><\/p>\r\n

<\/p><\/div>\r\n<\/div>\r\n

\u2192 Merodeo<\/a>

<\/p>\r\n

\r\n \"filles-du-feu\"

<\/p>\r\n

Merodeo<\/h2>\r\n

Panorama<\/span><\/em><\/p>\r\n

Fernando Restelli<\/span>
Documental | Argentina \u2013 2016 \u2013 14\u2032<\/p>\r\n

ficha<\/a><\/p>\r\n

<\/p><\/div>\r\n<\/div>\r\n

\u2192 Las Expansiones<\/a>

<\/p>\r\n

\r\n \"filles-du-feu\"

<\/p>\r\n

Las Expansiones<\/h2>\r\n

Panorama<\/span><\/em><\/p>\r\n

Manuel Ferrari<\/span>
Documental | Argentina \u2013 2017 \u2013 30\u2032<\/p>\r\n

ficha<\/a><\/p>\r\n

<\/p><\/div>\r\n<\/div>\r\n

\u2192 KLEIZAME<\/a>

<\/p>\r\n

\r\n \t \"Sand

<\/p>\r\n

KLEIZAME<\/h2>\r\n

Panorama<\/span> <\/em><\/p>\r\n

Sol Prado <\/span>
Documental| Espa\u00f1a \u2013 2018 \u2013 21\u2032<\/p>\r\n

ficha<\/a><\/p>\r\n

<\/p><\/div>\r\n<\/div>\r\n<\/div>\r\n

15:00<\/span>

<\/p>\r\n

\u2192 Cinderelinge<\/a>

<\/p>\r\n

\r\n \t \"Sand

<\/p>\r\n

Cinderelinge<\/h2>\r\n

Panorama<\/span> <\/em><\/p>\r\n

Narges Kalhor<\/span>
Documental |Iran, Alemania \u2013 2014 \u2013 4\u2032<\/p>\r\n

ficha<\/a><\/p>\r\n

<\/p><\/div>\r\n<\/div>\r\n

\u2192 En Route<\/a>

<\/p>\r\n

\r\n \"Era

<\/p>\r\n

En Route<\/h2>\r\n

Panorama<\/span><\/em><\/p>\r\n

Margherita Pisano, Gaetano Crivaro<\/span>
Documental |Italia, Inglaterra \u2013 2018 \u2013 17\u2032<\/p>\r\n

ficha<\/a><\/p>\r\n

<\/p><\/div>\r\n<\/div>\r\n

\u2192 Trajectory Drift<\/a>

<\/p>\r\n

\r\n \"Matangi\/Maya\/M.I.A.\"

<\/p>\r\n

Trajectory Drift<\/h2>\r\n

Panorama<\/span><\/em><\/p>\r\n

Iv\u00e1n Casti\u00f1eiras<\/span>
Ficci\u00f3n| Francia \u2013 2018 \u2013 24\u2019<\/p>\r\n

ficha<\/a><\/p>\r\n

<\/p><\/div>\r\n<\/div>\r\n

\u2192 Una Luna de Hierro<\/a>

<\/p>\r\n

\r\n \"Matangi\/Maya\/M.I.A.\"

<\/p>\r\n

Una Luna de Hierro<\/h2>\r\n

Panorama<\/span><\/em><\/p>\r\n

Francisco Rodr\u00edguez Teare<\/span>
Documental | Francia, Chile \u2013 2018 \u2013 28\u2032<\/p>\r\n

ficha<\/a><\/p>\r\n

<\/p><\/div>\r\n<\/div>\r\n<\/div>\r\n

16:00<\/span>

<\/p>\r\n

\u2192 Temporada<\/a>

<\/p>\r\n

\r\n \"Les

<\/p>\r\n

Temporada<\/h2>\r\n

Panorama<\/span><\/em><\/p>\r\n

Andr\u00e9 Novais Oliveira<\/span>
Ficci\u00f3n| Brasil \u2013 2018 \u2013 113\u2032<\/p>\r\n

ficha<\/a><\/p>\r\n

<\/p><\/div>\r\n<\/div>\r\n<\/div>\r\n

17:00<\/span>

<\/p>\r\n

\u2192 Tepantar<\/a>

<\/p>\r\n

\r\n \t \"Sand

<\/p>\r\n

Tepantar<\/h2>\r\n

Secci\u00f3n Central \u2018Im\u00e1genes para la insurrecci\u00f3n\u2019<\/span> <\/em><\/p>\r\n

Michelon Pierre<\/span>
Experimental | Francia \u2013 2017 \u2013 32\u2019<\/p>\r\n

ficha<\/a><\/p>\r\n

<\/p><\/div>\r\n<\/div>\r\n

\u2192 Shelter, Farewell to Eden<\/a>

<\/p>\r\n

\r\n \t \"Sand

<\/p>\r\n

Shelter, Farewell to Eden<\/h2>\r\n

Secci\u00f3n Central \u2018Im\u00e1genes para la insurrecci\u00f3n\u2019<\/span> <\/em><\/p>\r\n

Enrico Masi<\/span>
Documental | Italia, Francia \u2013 2019 \u2013 81\u2019<\/p>\r\n

ficha<\/a><\/p>\r\n

<\/p><\/div>\r\n<\/div>\r\n<\/div>\r\n<\/td>\r\n\r\n<\/tr>\r\n

Museo Etnogr\u00e1fico<\/td>\r\n\r\n
\r\n\t \t <\/div>\r\n
16:30<\/span>

<\/p>\r\n

\u2192 Beyrouth, jamais plus <\/a>

<\/p>\r\n

\r\n \"A

<\/p>\r\n

Beyrouth, jamais plus <\/h2>\r\n

Retrospectiva Jocelyne Saab<\/span><\/em><\/p>\r\n

Jocelyne Saab <\/span>
Documental | L\u00edbano \u2013 1976 \u2013 35\u2019<\/p>\r\n

ficha<\/a><\/p>\r\n

<\/p><\/div>\r\n<\/div>\r\n

\u2192 Lettre de Beyrouth<\/a>

<\/p>\r\n

\r\n \"A

<\/p>\r\n

Lettre de Beyrouth<\/h2>\r\n

Retrospectiva Jocelyne Saab<\/span><\/em><\/p>\r\n

Jocelyne Saab <\/span>
Documental |Libano \u2013 1978 \u2013 52\u2032<\/p>\r\n

ficha<\/a><\/p>\r\n

<\/p><\/div>\r\n<\/div>\r\n

\u2192 Beyrouth, ma ville<\/a>

<\/p>\r\n

\r\n \"A

<\/p>\r\n

Beyrouth, ma ville<\/h2>\r\n

Retrospectiva Jocelyne Saab
Presentada por la curadora Mathilde Rouxel
\r\n
Q&A Mathilde Rouxel
\r\n<\/span><\/em><\/p>\r\n

Jocelyne Saab <\/span>
Documental | L\u00edbano \u2013 1986 \u2013 38\u2032<\/p>\r\n

ficha<\/a><\/p>\r\n

<\/p><\/div>\r\n<\/div><\/div>\r\n<\/td>\r\n\r\n<\/tr>\r\n

Casa Nacional del Bicentenario<\/td>\r\n\r\n
\r\n\t \t <\/div>\r\n
19:15<\/span>

<\/p>\r\n

\u2192 Chico<\/a>

<\/p>\r\n

\r\n \t \"Best

<\/p>\r\n

Chico<\/h2>\r\n

Secci\u00f3n \u2018Brasil: Persiste, Resiste!\u2019<\/span> <\/em><\/p>\r\n

Marcos Carvalho, Eduardo Carvalho<\/span>
Ficci\u00f3n | Brasil \u2013 2016 \u2013 22\u2019<\/p>\r\n

ficha<\/a><\/p>\r\n

<\/p><\/div>\r\n<\/div>\r\n

\u2192 Bixa Travesty<\/a>

<\/p>\r\n

\r\n \t \"Destierros\"

<\/p>\r\n

Bixa Travesty<\/h2>\r\n

Secci\u00f3n \u2018Brasil: Persiste, Resiste!\u2019<\/span> <\/em><\/p>\r\n

Claudia Priscilla, Kiko Goifman<\/span>
Documental| Brasil \u2013 2018 \u2013 75\u2019<\/p>\r\n

ficha<\/a><\/p>\r\n

<\/p><\/div>\r\n<\/div><\/div>\r\n<\/td>\r\n\r\n<\/tr>\r\n<\/tbody>\r\n<\/table>\r\n

\t \t\t<\/p>\r\n

Domingo 22 de septiembre<\/h2>\r\n\r\n\r\n\r\n
Sede<\/td>\r\n14h<\/td>\r\n15h<\/td>\r\n16h<\/td>\r\n17h<\/td>\r\n18h<\/td>\r\n19h<\/td>\r\n20h<\/td>\r\n21h<\/td>\r\n22h<\/td>\r\n<\/tr>\r\n<\/tbody>\r\n<\/table>\r\n\r\n\r\n\r\n\r\n\r\n\r\n
Centro Cultural General San Mart\u00edn<\/td>\r\n\r\n
\r\n\t \t <\/div>\r\n
14:00<\/span>

<\/p>\r\n

\u2192 Pel\u00edcula Ganadora Competencia Iberoamericana<\/a>

<\/p>\r\n

\r\n

Pel\u00edcula Ganadora Competencia Iberoamericana<\/h2>\r\n

Panorama<\/span> <\/em><\/p>\r\n

Sala 2<\/span><\/p>\r\n

<\/p><\/div>\r\n<\/div>\r\n<\/div>\r\n

15:00<\/span>

<\/p>\r\n

\u2192 Pelicula Ganadora Competencia Refugiadxs y solicitantes de asilo<\/a>

<\/p>\r\n

\r\n

Pelicula Ganadora Competencia Refugiadxs y solicitantes de asilo<\/h2>\r\n

Panorama<\/span> <\/em><\/p>\r\n

Sala 1<\/span><\/p>\r\n

<\/p><\/div>\r\n<\/div>\r\n<\/div>\r\n

16:00<\/span>

<\/p>\r\n

\u2192 Pelicula Ganadora Competencia Internacional Largometrajes<\/a>

<\/p>\r\n

\r\n

Pelicula Ganadora Competencia Internacional Largometrajes<\/h2>\r\n

Panorama<\/span> <\/em><\/p>\r\n

Sala 2<\/span><\/p>\r\n

<\/p><\/div>\r\n<\/div>\r\n<\/div>\r\n

18:00<\/span>

<\/p>\r\n

\u2192 STA! <\/a>

<\/p>\r\n

\r\n \t \"Sand

<\/p>\r\n

STA! <\/h2>\r\n

Secci\u00f3n Central \u2018Im\u00e1genes para la insurrecci\u00f3n\u2019<\/span> <\/em><\/p>\r\n

Pedra Costa\t<\/span>
Documental | Alemania \u2013 2017 \u2013 6\u2019<\/p>\r\n

ficha<\/a><\/p>\r\n

<\/p><\/div>\r\n<\/div>\r\n

\u2192 Prisoner of Society<\/a>

<\/p>\r\n

\r\n \t \"Sand

<\/p>\r\n

Prisoner of Society<\/h2>\r\n

Secci\u00f3n Central \u2018Im\u00e1genes para la insurrecci\u00f3n\u2019<\/span> <\/em><\/p>\r\n

Rati Tsiteladze<\/span>
Documental | Georgia \u2013 2018 \u2013 18\u2019<\/p>\r\n

ficha<\/a><\/p>\r\n

<\/p><\/div>\r\n<\/div>\r\n

\u2192 Cassandro the exotic<\/a>

<\/p>\r\n

\r\n \t \"Sand

<\/p>\r\n

Cassandro the exotic<\/h2>\r\n

Secci\u00f3n Central \u2018Im\u00e1genes para la insurrecci\u00f3n\u2019<\/span> <\/em><\/p>\r\n

Marie Losier<\/span>
Documental | Francia \u2013 2018 \u2013 73\u2019<\/p>\r\n

ficha<\/a><\/p>\r\n

<\/p><\/div>\r\n<\/div>\r\n<\/div>\r\n

20:00<\/span>

<\/p>\r\n

\u2192 Black code<\/a>

<\/p>\r\n

\r\n \"filles-du-feu\"

<\/p>\r\n

Black code<\/h2>\r\n

Secci\u00f3n Central \u2018Im\u00e1genes para la insurrecci\u00f3n\u2019<\/span><\/em><\/p>\r\n

Louis Henderson<\/span>
Documental | Francia \u2013 2015 \u2013 21\u2019<\/p>\r\n

ficha<\/a><\/p>\r\n

<\/p><\/div>\r\n<\/div>\r\n

\u2192 Hale County This Morning, This Evening<\/a>

<\/p>\r\n

\r\n \"filles-du-feu\"

<\/p>\r\n

Hale County This Morning, This Evening<\/h2>\r\n

Secci\u00f3n Central \u2018Im\u00e1genes para la insurrecci\u00f3n\u2019<\/span><\/em><\/p>\r\n

Ra Mell Ross<\/span>
Documental | EE.UU. \u2013 2018 \u2013 76\u2019<\/p>\r\n

ficha<\/a><\/p>\r\n

<\/p><\/div>\r\n<\/div><\/div>\r\n

21:00<\/span>

<\/p>\r\n

\u2192 Soleils Noirs<\/a>

<\/p>\r\n

\r\n \"Les

<\/p>\r\n

Soleils Noirs<\/h2>\r\n

Panorama<\/span><\/em><\/p>\r\n

Julien Elie<\/span>
Documental | M\u00e9xico, Canad\u00e1 \u2013 2018 \u2013 154\u2032<\/p>\r\n

ficha<\/a><\/p>\r\n

<\/p><\/div>\r\n<\/div>\r\n<\/div>\r\n

22:00<\/span>

<\/p>\r\n

\u2192 Na Miss\u00e3o, com Kadu<\/a>

<\/p>\r\n

\r\n \t \"Best

<\/p>\r\n

Chico<\/h2>\r\n

Secci\u00f3n \u2018Brasil: Persiste, Resiste!\u2019<\/span> <\/em><\/p>\r\n

Aiano Bemfica, Gabriel Martins, Pedro Maia de Brito<\/span>
Documental | Brasil \u2013 2016-28\u2019<\/p>\r\n

ficha<\/a><\/p>\r\n

<\/p><\/div>\r\n<\/div>\r\n

\u2192 Bixa Travesty<\/a>

<\/p>\r\n

\r\n \t \"Destierros\"

<\/p>\r\n

Bixa Travesty<\/h2>\r\n

Secci\u00f3n \u2018Brasil: Persiste, Resiste!\u2019<\/span> <\/em><\/p>\r\n

Claudia Priscilla, Kiko Goifman<\/span>
Documental| Brasil \u2013 2018 \u2013 75\u2019<\/p>\r\n

ficha<\/a><\/p>\r\n

<\/p><\/div>\r\n<\/div><\/div>\r\n<\/td>\r\n\r\n<\/tr>\r\n

Museo Etnogr\u00e1fico<\/td>\r\n\r\n
\r\n\t \t <\/div>\r\n
17:00<\/span>

<\/p>\r\n

\u2192 Les Coptes: La Croix des Pharaons<\/a>

<\/p>\r\n

\r\n \"A

<\/p>\r\n

Les Coptes: La Croix des Pharaons<\/h2>\r\n

Retrospectiva Jocelyne Saab<\/span><\/em><\/p>\r\n

Jocelyne Saab <\/span>
Documental| Francia, Marruecos, Algeria \u2013 1986 \u2013 16\u2032<\/p>\r\n

ficha<\/a><\/p>\r\n

<\/p><\/div>\r\n<\/div>\r\n

\u2192 Le Sahara n\u2019est pas a vendre<\/a>

<\/p>\r\n

\r\n \"A

<\/p>\r\n

Sud-Liban: Histoired\u2019un village assi\u00e9g\u00e9<\/h2>\r\n

Retrospectiva Jocelyne Saab<\/span><\/em><\/p>\r\n

Jocelyne Saab <\/span>
Documental | Francia, Marruecos, Algeria \u2013 1975 \u2013 75\u2032<\/p>\r\n

ficha<\/a><\/p>\r\n

<\/p><\/div>\r\n<\/div><\/div>\r\n

20:15<\/span>

<\/p>\r\n

\u2192 Cinderelinge<\/a>

<\/p>\r\n

\r\n \t \"Sand

<\/p>\r\n

Cinderelinge<\/h2>\r\n

Panorama<\/span> <\/em><\/p>\r\n

Narges Kalhor<\/span>
Documental |Iran, Alemania \u2013 2014 \u2013 4\u2032<\/p>\r\n

ficha<\/a><\/p>\r\n

<\/p><\/div>\r\n<\/div>\r\n

\u2192 In the name of Scheherazade or the first beer garden in Tehran <\/a>

<\/p>\r\n

\r\n \t \"Sand

<\/p>\r\n

In the name of Scheherazade or the first beer garden in Tehran <\/h2>\r\n

Panorama<\/span> <\/em><\/p>\r\n

Narges Kalhor<\/span>
Documental |Ir\u00e1n, Alemania \u2013 2019 \u2013 75\u2032<\/p>\r\n

ficha<\/a><\/p>\r\n

<\/p><\/div>\r\n<\/div><\/div>\r\n<\/td>\r\n\r\n<\/tr>\r\n

Casa Nacional del Bicentenario<\/td>\r\n\r\n
Club Cultural Matienzo<\/td>\r\n\r\n
\r\n\t \t <\/div>\r\n
20:00<\/span>

<\/p>\r\n

\u2192 Sol Alegr\u00eda<\/a>

<\/p>\r\n

\r\n \t \"[Pe(l\u00ed)Performances]

<\/p>\r\n

Sol Alegr\u00eda <\/h2>\r\n

Secci\u00f3n Noches Extra\u00f1as<\/span> <\/em><\/p>\r\n

Tavinho Teixeira <\/span>
Ficci\u00f3n | Brasil \u2013 2018 \u2013 90\u2032<\/p>\r\n

ficha<\/a><\/p>\r\n

<\/p><\/div>\r\n<\/div><\/div>\r\n<\/td>\r\n\r\n<\/tr>\r\n<\/tbody>\r\n<\/table><\/div>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"

Programaci\u00f3n por d\u00eda (CABA) Mi\u00e9rcoles 11 de septiembre Sede 16h 17h 18h 19h 20h 21h 22h 23h Centro Cultural General San Mart\u00edn 21:00 \u2192 Shelter, Farewell to Eden Shelter, Farewell … <\/p>\n

Continue reading \u00abProgramaci\u00f3n por d\u00eda (CABA)\u00bb<\/span><\/a><\/p>\n","protected":false},"author":10,"featured_media":0,"parent":14317,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"elementor_header_footer","meta":[],"acf":[],"_links":{"self":[{"href":"https:\/\/cinemigrante.org\/muestras-itinerantes\/wp-json\/wp\/v2\/pages\/14481"}],"collection":[{"href":"https:\/\/cinemigrante.org\/muestras-itinerantes\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/cinemigrante.org\/muestras-itinerantes\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/cinemigrante.org\/muestras-itinerantes\/wp-json\/wp\/v2\/users\/10"}],"replies":[{"embeddable":true,"href":"https:\/\/cinemigrante.org\/muestras-itinerantes\/wp-json\/wp\/v2\/comments?post=14481"}],"version-history":[{"count":13,"href":"https:\/\/cinemigrante.org\/muestras-itinerantes\/wp-json\/wp\/v2\/pages\/14481\/revisions"}],"predecessor-version":[{"id":16586,"href":"https:\/\/cinemigrante.org\/muestras-itinerantes\/wp-json\/wp\/v2\/pages\/14481\/revisions\/16586"}],"up":[{"embeddable":true,"href":"https:\/\/cinemigrante.org\/muestras-itinerantes\/wp-json\/wp\/v2\/pages\/14317"}],"wp:attachment":[{"href":"https:\/\/cinemigrante.org\/muestras-itinerantes\/wp-json\/wp\/v2\/media?parent=14481"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}